Marie Wilt by Knizeks
Anna Kratz by Pokorny & Reuter
Rosa Streitmann by Moriz Muller Jnr
Bertha Ehnn by Gertlinger
Louis Grois by Luckhardt
Adele Isaac by Reutlinger
Anne Arsene Charton- Demeur by Pierre Petit
Marie Heilbronn by Ulric Grob
Antonio Tamburini by Pierre Petit
Delphine Ugalde by Reutlinger
Celine Van Ghell by Reutlinger
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Marguerite Chapuy by Reutlinger
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Jean Morere by Eugene de Paris
Minnie Hauk by Reutlinger (10)
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Hortense Schneider by Disderi
Didiée or perhaps Didiér by Reutlinger
Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Ellen Gulbranson by Adler
Pelagrie Greef-Andriessen by Hoffert
Leon Gritzinger by Benque & Kindermann
Caroline Finaly by Luckhardt
Louise Reuther by Hoffert
Wolter by Disderi
????? by Deroche (Reverse)
????? by Deroche
Reverse Florido ????? By Sorgato
See also...
Jean De Reszke by Aime Dupont


Jean de Reszke as Seigfried in "Die Gotterdammerang" by Wagner
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
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