Marie Heilbronn by Ulric Grob
Antonio Tamburini by Pierre Petit
Delphine Ugalde by Reutlinger
Celine Van Ghell by Reutlinger
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva & Nazary Raysky
Vera Petrova-Zvanceva & Alexy Borisenko
Anastasia Vialtseva
Anastasia Vialtseva
Anastasia Vialtseva
Adele Isaac by Reutlinger
Louis Grois by Luckhardt
Bertha Ehnn by Gertlinger
Rosa Streitmann by Moriz Muller Jnr
Anna Kratz by Pokorny & Reuter
Marie Wilt by Knizeks
Jean De Reszke by Aime Dupont
Marguerite Chapuy by Reutlinger
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Jean Morere by Eugene de Paris
Minnie Hauk by Reutlinger (10)
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Hortense Schneider by Disderi
Didiée or perhaps Didiér by Reutlinger
Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Ellen Gulbranson by Adler
Pelagrie Greef-Andriessen by Hoffert
See also...
Anne Arsene Charton- Demeur by Pierre Petit


ANNE ARSÈNE CHARTON-DEMEUR,
5 March 1827-30 November 1892
French Mezzo Soprano
She studied in Bordeaux with Bizot, making her operatic debut there as “Lucia di Lammermoor” by Donizetti in 1842. After appearances in Toulouse and Brussels, she made her first appearance in London as Madeleine in “Le Postillon de Longjumeau” by Adam on July 18, 1846. In 1847 she married the Belgian flutist Jules-Antoine Demeur in London and took the professional name of Charton-Demeur. In 1849–50 she was the leading female member of Mitchell’s French troup in St James Theatre London, and in 1852 she sang at Her Majesty’s Theatre; she also appeared in concert with the Phil. Soc. in 1850. After singing at the Paris Opéra-Comique, she appeared with notable success in St. Petersburg, Vienna, and America; she also became a great favorite at the Paris Théâtre-Italien. She was befriended by Berlioz and did much to promote his music. She created the roles of Béatrice in his “Béatrice et Benedict” (Baden-Baden, Aug. 9, 1862) and Dido in his “ Les Troy ens à Carthage” (Paris, Nov. 4, 1863). From 1869 she pursued a concert career.
5 March 1827-30 November 1892
French Mezzo Soprano
She studied in Bordeaux with Bizot, making her operatic debut there as “Lucia di Lammermoor” by Donizetti in 1842. After appearances in Toulouse and Brussels, she made her first appearance in London as Madeleine in “Le Postillon de Longjumeau” by Adam on July 18, 1846. In 1847 she married the Belgian flutist Jules-Antoine Demeur in London and took the professional name of Charton-Demeur. In 1849–50 she was the leading female member of Mitchell’s French troup in St James Theatre London, and in 1852 she sang at Her Majesty’s Theatre; she also appeared in concert with the Phil. Soc. in 1850. After singing at the Paris Opéra-Comique, she appeared with notable success in St. Petersburg, Vienna, and America; she also became a great favorite at the Paris Théâtre-Italien. She was befriended by Berlioz and did much to promote his music. She created the roles of Béatrice in his “Béatrice et Benedict” (Baden-Baden, Aug. 9, 1862) and Dido in his “ Les Troy ens à Carthage” (Paris, Nov. 4, 1863). From 1869 she pursued a concert career.
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