Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Didiée or perhaps Didiér by Reutlinger
Hortense Schneider by Disderi
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Minnie Hauk by Reutlinger (10)
Jean Morere by Eugene de Paris
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Marguerite Chapuy by Reutlinger
Jean De Reszke by Aime Dupont
Marie Wilt by Knizeks
Anna Kratz by Pokorny & Reuter
Rosa Streitmann by Moriz Muller Jnr
Bertha Ehnn by Gertlinger
Louis Grois by Luckhardt
Adele Isaac by Reutlinger
Anne Arsene Charton- Demeur by Pierre Petit
Marie Heilbronn by Ulric Grob
Antonio Tamburini by Pierre Petit
Pelagrie Greef-Andriessen by Hoffert
Leon Gritzinger by Benque & Kindermann
Caroline Finaly by Luckhardt
Louise Reuther by Hoffert
Wolter by Disderi
????? by Deroche (Reverse)
????? by Deroche
Reverse Florido ????? By Sorgato
Florido ????? By Sorgato
Reverse Ettore Mazzi by Perini
Ettore Mazzi by Perini
Louise Theo by Victor Mathieu
Victor Capoul by Liebert
Achille-Felix Montaubry by Reutlinger
Ernesto Niccolini by Reutlinger
Allan James Foley (Signor Foli) by Stereoscopic Co…
Louise Grandjean
Meyriane Héglon
Pauline Lucca by Victor Angerer
Nellie Melba by Washington
Nellie Melba by Reutlinger
Zoe Belia by Disderi
See also...
Ellen Gulbranson by Adler


As Sieglinde in ‘Die Walkure” by Wagner
Ellen Gulbranson
(Ellen Norgren )
4 March 1863 – 2 January 1947
Swedish soprano
Studied initially at the Stockholm Conservatory under Julius Gunther and then in Paris with Ellen Kenneth and the great pedagogue Mathilde Marchesi. Subsequently, she also studied with Marchesi’s daughter Blanche, who strengthened Gulbranson's top notes and transformed her voice from that of a mezzo-soprano into that of a dramatic soprano.
Debut in 1889 as Amneris in “Aida” by Verdi at Stockholm, and sang the Wagnerian roles of Brünnhilde and Ortrud there in 1898. She went on to excel in portraying these heroines—as well as succeeding in the parts of Kundry in “ Parsifal” and Isolde in “Tristan und Isolde” by Wagner.
In 1896, she made her first appearance at the Bayreuth Festival, then in its 20th year, alternating in the role of Brünnhilde with the veteran diva Lilli Lehmann. Her portrayal was so well received that Lehmann dropped out of the festival. Gulbranson went on to sing annually at Bayreuth until 1914. She also appeared in London at the Royal Opera, Covent Garden, in 1900 and 1907.
After retiring from the stage in 1915 she worked as a singing teacher
Ellen Gulbranson
(Ellen Norgren )
4 March 1863 – 2 January 1947
Swedish soprano
Studied initially at the Stockholm Conservatory under Julius Gunther and then in Paris with Ellen Kenneth and the great pedagogue Mathilde Marchesi. Subsequently, she also studied with Marchesi’s daughter Blanche, who strengthened Gulbranson's top notes and transformed her voice from that of a mezzo-soprano into that of a dramatic soprano.
Debut in 1889 as Amneris in “Aida” by Verdi at Stockholm, and sang the Wagnerian roles of Brünnhilde and Ortrud there in 1898. She went on to excel in portraying these heroines—as well as succeeding in the parts of Kundry in “ Parsifal” and Isolde in “Tristan und Isolde” by Wagner.
In 1896, she made her first appearance at the Bayreuth Festival, then in its 20th year, alternating in the role of Brünnhilde with the veteran diva Lilli Lehmann. Her portrayal was so well received that Lehmann dropped out of the festival. Gulbranson went on to sing annually at Bayreuth until 1914. She also appeared in London at the Royal Opera, Covent Garden, in 1900 and 1907.
After retiring from the stage in 1915 she worked as a singing teacher
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