Minnie Hauk by Reutlinger (10)
Jean Morere by Eugene de Paris
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Marguerite Chapuy by Reutlinger
Jean De Reszke by Aime Dupont
Marie Wilt by Knizeks
Anna Kratz by Pokorny & Reuter
Rosa Streitmann by Moriz Muller Jnr
Bertha Ehnn by Gertlinger
Louis Grois by Luckhardt
Adele Isaac by Reutlinger
Anne Arsene Charton- Demeur by Pierre Petit
Marie Heilbronn by Ulric Grob
Antonio Tamburini by Pierre Petit
Delphine Ugalde by Reutlinger
Celine Van Ghell by Reutlinger
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Hortense Schneider by Disderi
Didiée or perhaps Didiér by Reutlinger
Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Ellen Gulbranson by Adler
Pelagrie Greef-Andriessen by Hoffert
Leon Gritzinger by Benque & Kindermann
Caroline Finaly by Luckhardt
Louise Reuther by Hoffert
Wolter by Disderi
????? by Deroche (Reverse)
????? by Deroche
Reverse Florido ????? By Sorgato
Florido ????? By Sorgato
Reverse Ettore Mazzi by Perini
Ettore Mazzi by Perini
Louise Theo by Victor Mathieu
Victor Capoul by Liebert
Achille-Felix Montaubry by Reutlinger
Ernesto Niccolini by Reutlinger
See also...
Fides Devries by Reutlinger


as Mathilde “William Tell” Rossini
FIDES DEVRIES
22 April 1852, and died in 1941
American Soprano
Studied under Duprez. She made her debut as Rose-de-Mai in Le val d'Andorre at the Théâtre Lyrique in October 1868. After a couple of seasons at La Monnaie in Brussels, she joined the Paris Opera in 1871, where her repertoire included Marguerite in Faust, Ophélie in Hamlet, Isabelle in Robert le diable, Agathe in Le Freischutz, Inès and Sélika in L’Africaine, Elvira in Don Juan, Mathilde in Guillaume Tell and Eudoxie in La Juive.
In February 1873 Devriès took the solo soprano part in Beethoven’s Choral Symphony with the Société des Concerts du Conservatoire, along with an aria from Don Giovanni
She interrupted her career from April 1874 to 1883, after which she appeared at the Théâtre-Italien directed by Victor Maurel, singing in Simon Boccanegra and Hérodiade. Back at the Opéra, after touring to Monte-Carlo, Madrid, Lisbon and Holland, she created the role of Chimène in the premiere of Le Cid on 30 November 1885. Her final major appearance was as Elsa in the French premiere of Lohengrin on 3 May 1887, before retiring from the stage in 1889
FIDES DEVRIES
22 April 1852, and died in 1941
American Soprano
Studied under Duprez. She made her debut as Rose-de-Mai in Le val d'Andorre at the Théâtre Lyrique in October 1868. After a couple of seasons at La Monnaie in Brussels, she joined the Paris Opera in 1871, where her repertoire included Marguerite in Faust, Ophélie in Hamlet, Isabelle in Robert le diable, Agathe in Le Freischutz, Inès and Sélika in L’Africaine, Elvira in Don Juan, Mathilde in Guillaume Tell and Eudoxie in La Juive.
In February 1873 Devriès took the solo soprano part in Beethoven’s Choral Symphony with the Société des Concerts du Conservatoire, along with an aria from Don Giovanni
She interrupted her career from April 1874 to 1883, after which she appeared at the Théâtre-Italien directed by Victor Maurel, singing in Simon Boccanegra and Hérodiade. Back at the Opéra, after touring to Monte-Carlo, Madrid, Lisbon and Holland, she created the role of Chimène in the premiere of Le Cid on 30 November 1885. Her final major appearance was as Elsa in the French premiere of Lohengrin on 3 May 1887, before retiring from the stage in 1889
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