Ellen Gulbranson by Adler
Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Didiée or perhaps Didiér by Reutlinger
Hortense Schneider by Disderi
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Minnie Hauk by Reutlinger (10)
Jean Morere by Eugene de Paris
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Marguerite Chapuy by Reutlinger
Jean De Reszke by Aime Dupont
Marie Wilt by Knizeks
Anna Kratz by Pokorny & Reuter
Rosa Streitmann by Moriz Muller Jnr
Bertha Ehnn by Gertlinger
Louis Grois by Luckhardt
Adele Isaac by Reutlinger
Anne Arsene Charton- Demeur by Pierre Petit
Marie Heilbronn by Ulric Grob
Leon Gritzinger by Benque & Kindermann
Caroline Finaly by Luckhardt
Louise Reuther by Hoffert
Wolter by Disderi
????? by Deroche (Reverse)
????? by Deroche
Reverse Florido ????? By Sorgato
Florido ????? By Sorgato
Reverse Ettore Mazzi by Perini
Ettore Mazzi by Perini
Louise Theo by Victor Mathieu
Victor Capoul by Liebert
Achille-Felix Montaubry by Reutlinger
Ernesto Niccolini by Reutlinger
Allan James Foley (Signor Foli) by Stereoscopic Co…
Louise Grandjean
Meyriane Héglon
Pauline Lucca by Victor Angerer
Nellie Melba by Washington
Nellie Melba by Reutlinger
Zoe Belia by Disderi
Julia Hisson by Pierre Petit
See also...
Pelagrie Greef-Andriessen by Hoffert


possibly as Carmen or Rosina
Pelagie Greeff-Andriessen
20 June 1860- 17 December 1937
Austrian Soprano
Studied with her mother, Marie Andriessen-von Lingke, who was a voice teacher at the Vienna Conservatory. Originally a mezzo-soprano or contralto .She began her career as an operetta singer, making her début as Anna in von Suppé’s “ Flotte Bursche” at the Vienna Carl-Theater. She continued her operetta career in Munich, Cologne, Dresden and Nürnberg . In 1882 she joined Angelo Neumann’s touring Wagner company, and toured for 2 seasons .Her operatic début was as Aida in Verdi’s “Aida” in Leipzig in 1884, She stayed at Leipzig until 1890, afterwards appearing at the Cologne and Frankfurt operas, Bayreuth (as Brangäne), Berlin and Salzburg, where she sang the Countess in Mozart’s Le Nozze di Figaro at the Mozart "centenary" festival of 1891. Apparently quite versatile, her repertoire included Santuzza, as well as Meyerbeer’s Valentine and Sélika, and the title role in Gluck’s Armide. In 1892 she ventured away from Germany to London, where she sang Fricka in Das Rheingold and the Die Walküre Brünnhilde at Covent Garden. Her operatic career was pretty much over by the turn of the twentieth century. . Married three times, it was the last husband, the bass Paul Greeff (1854 – 1923), whose name she finally and permanently adopted as her own.
Pelagie Greeff-Andriessen
20 June 1860- 17 December 1937
Austrian Soprano
Studied with her mother, Marie Andriessen-von Lingke, who was a voice teacher at the Vienna Conservatory. Originally a mezzo-soprano or contralto .She began her career as an operetta singer, making her début as Anna in von Suppé’s “ Flotte Bursche” at the Vienna Carl-Theater. She continued her operetta career in Munich, Cologne, Dresden and Nürnberg . In 1882 she joined Angelo Neumann’s touring Wagner company, and toured for 2 seasons .Her operatic début was as Aida in Verdi’s “Aida” in Leipzig in 1884, She stayed at Leipzig until 1890, afterwards appearing at the Cologne and Frankfurt operas, Bayreuth (as Brangäne), Berlin and Salzburg, where she sang the Countess in Mozart’s Le Nozze di Figaro at the Mozart "centenary" festival of 1891. Apparently quite versatile, her repertoire included Santuzza, as well as Meyerbeer’s Valentine and Sélika, and the title role in Gluck’s Armide. In 1892 she ventured away from Germany to London, where she sang Fricka in Das Rheingold and the Die Walküre Brünnhilde at Covent Garden. Her operatic career was pretty much over by the turn of the twentieth century. . Married three times, it was the last husband, the bass Paul Greeff (1854 – 1923), whose name she finally and permanently adopted as her own.
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