Marcella Sembrich
Francesco D'Andrade
Frieda Hempel
Lucille Marcel
Lina Cavalieri Autograph ???
Geraldine Farrar & Herman Jadlowker
Herman Jadlowker
Frieda Hempel
Emmy Destinn
Lillian Nordica
Rose Deschamps & Lise Tautin & by Mayer & Pierson
Marcella Sembrich
Paul Bender
Charles Rousseliere
Charles Rousseliere
Adelaide Bolska
Agnes Nichols
Alice Verlet
Alice Verlet
Alice Verlet
Hippolyte-Adolphe Belhomme
Robert Radford
Anton Van Rooy
Nellie Melba
Therese Malten by Hoffert
Therese Malten , Karl Scheidemantel & Heinrich Gud…
Therese Malten by Hoffert
Lina Bell by Mulnier
Sebastian Hofmuller by Hoffert
Heinrich Wiegand by Hoffert
Pavel Andreev by Cransky
Edna Thornton by Bassano
Meyriane Heglon by Ogerau
Karl Streitmann by Krziwanek
Georgine von Januschofsky by Benque
Scene from Faust by Albert
Marie Battu by Reutlinger
Julia Hisson by Pierre Petit
Bernadine Hamakers by Reutlinger
Leon Melchissedec byNadar
Jeanne Francoise Balbi by Reutlinger
Jean Baptiste Faure by Reutlinger
Phillipe duc d'Orleans by Unknown
Antonia Tikhonova
Paul Knupfer
Marcella Sembrich autograph


MARCELLA SEMBRICH
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
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