Bernadine Hamakers by Reutlinger
Julia Hisson by Pierre Petit
Marie Battu by Reutlinger
Scene from Faust by Albert
Georgine von Januschofsky by Benque
Karl Streitmann by Krziwanek
Meyriane Heglon by Ogerau
Edna Thornton by Bassano
Pavel Andreev by Cransky
Heinrich Wiegand by Hoffert
Sebastian Hofmuller by Hoffert
Lina Bell by Mulnier
Therese Malten by Hoffert
Therese Malten , Karl Scheidemantel & Heinrich Gud…
Therese Malten by Hoffert
Nellie Melba
Marcella Sembrich autograph
Marcella Sembrich
Francesco D'Andrade
Frieda Hempel
Lucille Marcel
Lina Cavalieri Autograph ???
Geraldine Farrar & Herman Jadlowker
Jeanne Francoise Balbi by Reutlinger
Jean Baptiste Faure by Reutlinger
Phillipe duc d'Orleans by Unknown
Antonia Tikhonova
Paul Knupfer
Paul Knupfer
Marie Dietrich
Charles Friant
Charles Friant
Tino Pattiera
Tino Pattiera
Tino Pattiera
Alice Zeppilli
Isobel Bailie
Vasily Damaev
Vera Liutse & Vasily Damaev
Jane Doria
Sigrid Onegin
Sigrid Onegin
Nina Pack
Adelaide Borghi-Mamo by Disderi
Feodor Chaliapin Autographed
See also...
Leon Melchissedec byNadar


as de Sainte-Croix in "PAUL ET VIRGINIE" by Masse CREATOR role l’Opéra-National-Lyrique 15 th November 1876
LEON MELCHISSEDEC
(Clermont Ferrand,)
7 May 1843-23 March 1925
French baritone
Studied with Alkan, Puget, Mocker and Levasseur at the Paris Conservatoire.Debut at the Paris Opéra-Comique on 16 July 1866 in Cohen's José Maria.He remained at the Opéra-Comique until 1877, His roles included Les Absents, Le premier jour de bonheur, Lalla-Roukh, Robinson Crusoé, Les dragons de Villars, Le pré aux clercs, Fantasio, Mireille, Richard Cœur de Lion and Le Caïd. In 1873 he became the first true baritone to sing the title role of Zampa .He went to the Théâtre-Lyrique, singing in Dimitri, Le capitaine Fracasse.] and the premieres of Paul et Virginie and Le timbre d’argent. In 1879 he joined the Paris Opéra, making his debut as Nevers in Les Huguenots on 17 November 1879. His repertoire there included Guillaume Tell, L'Africaine, La Favorite, Rigoletto, Faust, and he created roles in Le Tribut de Zamora, Tabarin, and Le Cid. Having sung Capulet in the first performance of Roméo et Juliette at the Opéra-Comique in 1873, he sang Mercutio when it transferred to the repertory of the Opéra. He left the Opéra in 1891 but rejoined from 1905–12, having become a professor of déclamation lyrique at the Paris Conservatoire in 1894.
LEON MELCHISSEDEC
(Clermont Ferrand,)
7 May 1843-23 March 1925
French baritone
Studied with Alkan, Puget, Mocker and Levasseur at the Paris Conservatoire.Debut at the Paris Opéra-Comique on 16 July 1866 in Cohen's José Maria.He remained at the Opéra-Comique until 1877, His roles included Les Absents, Le premier jour de bonheur, Lalla-Roukh, Robinson Crusoé, Les dragons de Villars, Le pré aux clercs, Fantasio, Mireille, Richard Cœur de Lion and Le Caïd. In 1873 he became the first true baritone to sing the title role of Zampa .He went to the Théâtre-Lyrique, singing in Dimitri, Le capitaine Fracasse.] and the premieres of Paul et Virginie and Le timbre d’argent. In 1879 he joined the Paris Opéra, making his debut as Nevers in Les Huguenots on 17 November 1879. His repertoire there included Guillaume Tell, L'Africaine, La Favorite, Rigoletto, Faust, and he created roles in Le Tribut de Zamora, Tabarin, and Le Cid. Having sung Capulet in the first performance of Roméo et Juliette at the Opéra-Comique in 1873, he sang Mercutio when it transferred to the repertory of the Opéra. He left the Opéra in 1891 but rejoined from 1905–12, having become a professor of déclamation lyrique at the Paris Conservatoire in 1894.
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