Anton Van Rooy
Anton Van Rooy
Nicolai Shevlev
Lily Hafgren- Waag
Emmy Destinn
Frieda Hempel
Lina Mayr by Graf
Mathilde Mallinger by Luckhardt
Adelina Patti by Reutlinger (19)
Marie Roze by Reutlinger
Pauline Lucca by L & Co
Adelina Patti by L & Co (20)
Marguerite Priola by Tourtin
Milly Meyer by Nadar
Hortense Schneider by Ulric Gob
Emma Albani by Nadar (8)
Mario & Patti by Caldesi
Irma Terväni
Catherine Mastio
Catherine Mastio
Catherine Mastio
Julia Culp
Vera Nimidoff.
Robert Radford
Hippolyte-Adolphe Belhomme
Alice Verlet
Alice Verlet
Alice Verlet
Agnes Nichols
Adelaide Bolska
Charles Rousseliere
Charles Rousseliere
Paul Bender
Marcella Sembrich
Rose Deschamps & Lise Tautin & by Mayer & Pierson
Lillian Nordica
Emmy Destinn
Frieda Hempel
Herman Jadlowker
Geraldine Farrar & Herman Jadlowker
Lina Cavalieri Autograph ???
Lucille Marcel
Frieda Hempel
Francesco D'Andrade
Marcella Sembrich
Anton Van Rooy


Anton Von Rooy
1870 – 1932
Dutch Bass-Baritone
Studied with Julius Stockhausen in Frankfurt. Debut at the Bayreuth Festival in 1897, singing Wotan in “ Ring des Nibelungen”. The year 1898 saw debuts in Berlin and at the Royal Opera House in London; and at the Metropolitan Opera, New York City, as Wotan in “Die Walküre” .Remained with the Met until 1908, during which time he was heard in all the leading baritone Wagnerian roles. Most notably, he created Amfortas in the American premiere of “Parsifal “ in 1903. Four years later, he created the part of John the Baptist in “Salome” in the initial New York production of Richard Strauss..Continued to sing regularly at Bayreuth until 1903, when he was banned by Cosima Wagner from any further performances at the festival, because the Met performances of “Parsifal” that he had participated in breached German copyright law. His appearances in London spanned the years 1898-1913. After leaving the Metropolitan Opera he became the leading Wagnerian baritone of the Frankfurt Opera
1870 – 1932
Dutch Bass-Baritone
Studied with Julius Stockhausen in Frankfurt. Debut at the Bayreuth Festival in 1897, singing Wotan in “ Ring des Nibelungen”. The year 1898 saw debuts in Berlin and at the Royal Opera House in London; and at the Metropolitan Opera, New York City, as Wotan in “Die Walküre” .Remained with the Met until 1908, during which time he was heard in all the leading baritone Wagnerian roles. Most notably, he created Amfortas in the American premiere of “Parsifal “ in 1903. Four years later, he created the part of John the Baptist in “Salome” in the initial New York production of Richard Strauss..Continued to sing regularly at Bayreuth until 1903, when he was banned by Cosima Wagner from any further performances at the festival, because the Met performances of “Parsifal” that he had participated in breached German copyright law. His appearances in London spanned the years 1898-1913. After leaving the Metropolitan Opera he became the leading Wagnerian baritone of the Frankfurt Opera
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