Marcella Sembrich
Paul Bender
Charles Rousseliere
Charles Rousseliere
Adelaide Bolska
Agnes Nichols
Alice Verlet
Alice Verlet
Alice Verlet
Hippolyte-Adolphe Belhomme
Robert Radford
Anton Van Rooy
Anton Van Rooy
Anton Van Rooy
Nicolai Shevlev
Lily Hafgren- Waag
Emmy Destinn
Frieda Hempel
Lina Mayr by Graf
Mathilde Mallinger by Luckhardt
Adelina Patti by Reutlinger (19)
Marie Roze by Reutlinger
Pauline Lucca by L & Co
Lillian Nordica
Emmy Destinn
Frieda Hempel
Herman Jadlowker
Geraldine Farrar & Herman Jadlowker
Lina Cavalieri Autograph ???
Lucille Marcel
Frieda Hempel
Francesco D'Andrade
Marcella Sembrich
Marcella Sembrich autograph
Nellie Melba
Therese Malten by Hoffert
Therese Malten , Karl Scheidemantel & Heinrich Gud…
Therese Malten by Hoffert
Lina Bell by Mulnier
Sebastian Hofmuller by Hoffert
Heinrich Wiegand by Hoffert
Pavel Andreev by Cransky
Edna Thornton by Bassano
Meyriane Heglon by Ogerau
Karl Streitmann by Krziwanek
See also...
Rose Deschamps & Lise Tautin & by Mayer & Pierson


LISE TAUTIN
(born Louise Vaissière)
1836, - May 1874,
French soprano,
Associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach ,Having been spotted by Offenbach at the Grand Théâtre de Lyon,
Tautin made her debut with the Bouffes-Parisiens as Aspasie in Une demoiselle en loterie in July 1857 and was a big success with critics and the audiences. She also sang Fanchette in Le mariage aux lanternes (1857), Crout-ou-pôt in Mesdames de la Halle (1858), Minette in La chatte métamorphosée en femme 1858 - her incarnation of both girl and cat was praised, and Eurydice in Orphée aux Enfers (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance.
Then followed Rosita in Un mari à la porte (1859), Gratioso and other roles in the first version of Geneviève de Brabant (1859), Les Bouffes-Parisiens in Le carnaval des revues (1860), Catarina in Le pont des soupirs (1861), and Ernestina in M. Choufleuri restera chez lui le . . . (1861). She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in Les bergers.
In the spring of 1862 she starred in La boite au lait at the Théâtre des Variétés. Tautin took over title role for some performances of La belle Hélène in 1865. She was taken ill returning from a tour to Constantinople in 1874
ROSE DESCHAMPS
Soprano
Associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach Created at Theatre des Bouffes Paris the roles Blondette in his opera "Genevive de Brabant" 1859 & Guilluame in "La Chanson de Fortunio" in 1861, ,and was in his operetta 'Orphee aux Enfers" .She also performed at the Comedie Francaise ,
(born Louise Vaissière)
1836, - May 1874,
French soprano,
Associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach ,Having been spotted by Offenbach at the Grand Théâtre de Lyon,
Tautin made her debut with the Bouffes-Parisiens as Aspasie in Une demoiselle en loterie in July 1857 and was a big success with critics and the audiences. She also sang Fanchette in Le mariage aux lanternes (1857), Crout-ou-pôt in Mesdames de la Halle (1858), Minette in La chatte métamorphosée en femme 1858 - her incarnation of both girl and cat was praised, and Eurydice in Orphée aux Enfers (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance.
Then followed Rosita in Un mari à la porte (1859), Gratioso and other roles in the first version of Geneviève de Brabant (1859), Les Bouffes-Parisiens in Le carnaval des revues (1860), Catarina in Le pont des soupirs (1861), and Ernestina in M. Choufleuri restera chez lui le . . . (1861). She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in Les bergers.
In the spring of 1862 she starred in La boite au lait at the Théâtre des Variétés. Tautin took over title role for some performances of La belle Hélène in 1865. She was taken ill returning from a tour to Constantinople in 1874
ROSE DESCHAMPS
Soprano
Associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach Created at Theatre des Bouffes Paris the roles Blondette in his opera "Genevive de Brabant" 1859 & Guilluame in "La Chanson de Fortunio" in 1861, ,and was in his operetta 'Orphee aux Enfers" .She also performed at the Comedie Francaise ,
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