Marcella Sembrich autograph
Marcella Sembrich
Francesco D'Andrade
Frieda Hempel
Lucille Marcel
Lina Cavalieri Autograph ???
Geraldine Farrar & Herman Jadlowker
Herman Jadlowker
Frieda Hempel
Emmy Destinn
Lillian Nordica
Rose Deschamps & Lise Tautin & by Mayer & Pierson
Marcella Sembrich
Paul Bender
Charles Rousseliere
Charles Rousseliere
Adelaide Bolska
Agnes Nichols
Alice Verlet
Alice Verlet
Alice Verlet
Hippolyte-Adolphe Belhomme
Robert Radford
Therese Malten by Hoffert
Therese Malten , Karl Scheidemantel & Heinrich Gud…
Therese Malten by Hoffert
Lina Bell by Mulnier
Sebastian Hofmuller by Hoffert
Heinrich Wiegand by Hoffert
Pavel Andreev by Cransky
Edna Thornton by Bassano
Meyriane Heglon by Ogerau
Karl Streitmann by Krziwanek
Georgine von Januschofsky by Benque
Scene from Faust by Albert
Marie Battu by Reutlinger
Julia Hisson by Pierre Petit
Bernadine Hamakers by Reutlinger
Leon Melchissedec byNadar
Jeanne Francoise Balbi by Reutlinger
Jean Baptiste Faure by Reutlinger
Phillipe duc d'Orleans by Unknown
Antonia Tikhonova
Paul Knupfer
Paul Knupfer
Nellie Melba


Dame NELLIE MELBA GBE
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
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