Sigrid Onegin
Jane Doria
Vera Liutse & Vasily Damaev
Vasily Damaev
Isobel Bailie
Alice Zeppilli
Tino Pattiera
Tino Pattiera
Tino Pattiera
Charles Friant
Charles Friant
Marie Dietrich
Paul Knupfer
Paul Knupfer
Antonia Tikhonova
Phillipe duc d'Orleans by Unknown
Jean Baptiste Faure by Reutlinger
Jeanne Francoise Balbi by Reutlinger
Leon Melchissedec byNadar
Bernadine Hamakers by Reutlinger
Julia Hisson by Pierre Petit
Marie Battu by Reutlinger
Scene from Faust by Albert
Nina Pack
Adelaide Borghi-Mamo by Disderi
Feodor Chaliapin Autographed
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Mary Boyer
Mary Boyer
Eugenia Bronskaya
Eugenia Bronskaya
Eugenia Bronskaya
Eugenia Bronskaya
Marcelle Demougeot
Marcelle Demougeot
Marcelle Demougeot
Marcelle Demougeot
Marcelle Demougeot
Andrei Labinski
Andrei Labinski
Andrei Labinski
Andrei Labinski
Sigrid Onegin


Sigrid Onégin
(Elizabeth Elfriede Sigrid Hoffmann)
1889 – 1943
Swedish contralto
She studied in Frankfurt, Munich, and Milan, and also took lessons from Lilli Lehmann and Margarethe Siems She made her professional debut in concert under her maiden name, Lilly Hoffmann in 1911. After her marriage to Russian pianist and composer Eugene Onégin (1870–1919), she sang briefly as Lilly Hoffmann-Onégin. Debut as Carmen in “Carmen” by Bizet at Stuttgart in October 1912, She created Dryad in “Ariadne auf Naxos “ By Richard Strauss atd the Stuttgart Opera in 1912 .She went to the Munich Opera in 1919.
In the 1920s, she spent two seasons at the Metropolitan Opera and one at Covent Garden, singing Amneris (Aida) as well as a variety of Wagnerian roles. In the 1930s, she sang at Salzburg and Bayreuth Festival, but she was most widely sought after for her concert performances..Her last concert appearance came in the United States in 1938. Roles included. Orfeo in “ Orfeo ed Euridice” by Gluck , Eboli in “Don Carlos” by Verdi , Fidès in “Le prophète” by Meyerbeer , Erda in both “Das Rheingold “ & “Siegfried” by Wagner , Lady Macbeth in “Macbeth” by Verdi , Fricka in both “Das Rheingold & Die Walküre” by Wagner ,Waltraute in “Die Walküre & Götterdämmerung” by Wagner ,Brangäne in “Tristan und Isolde” by Wagner , Amneris in “Aida” by Verdi and Orsini in “Lucrezia Borgia” by Donizetti
(Elizabeth Elfriede Sigrid Hoffmann)
1889 – 1943
Swedish contralto
She studied in Frankfurt, Munich, and Milan, and also took lessons from Lilli Lehmann and Margarethe Siems She made her professional debut in concert under her maiden name, Lilly Hoffmann in 1911. After her marriage to Russian pianist and composer Eugene Onégin (1870–1919), she sang briefly as Lilly Hoffmann-Onégin. Debut as Carmen in “Carmen” by Bizet at Stuttgart in October 1912, She created Dryad in “Ariadne auf Naxos “ By Richard Strauss atd the Stuttgart Opera in 1912 .She went to the Munich Opera in 1919.
In the 1920s, she spent two seasons at the Metropolitan Opera and one at Covent Garden, singing Amneris (Aida) as well as a variety of Wagnerian roles. In the 1930s, she sang at Salzburg and Bayreuth Festival, but she was most widely sought after for her concert performances..Her last concert appearance came in the United States in 1938. Roles included. Orfeo in “ Orfeo ed Euridice” by Gluck , Eboli in “Don Carlos” by Verdi , Fidès in “Le prophète” by Meyerbeer , Erda in both “Das Rheingold “ & “Siegfried” by Wagner , Lady Macbeth in “Macbeth” by Verdi , Fricka in both “Das Rheingold & Die Walküre” by Wagner ,Waltraute in “Die Walküre & Götterdämmerung” by Wagner ,Brangäne in “Tristan und Isolde” by Wagner , Amneris in “Aida” by Verdi and Orsini in “Lucrezia Borgia” by Donizetti
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