Georg Bauer
Helene Staegemann
Meta Seinmeyer
Meta Seinemeyer
Hector Dufrane
Leon Rothier
Germaine Gallois
Germaine Gallois
Alma Fohstrom
Mabel Garrison
Lilli Lehmann
Lilli Lehmann
Lilli Lehmann & Albert Niemann
Lilli Lehmann & Francesco D'Andrade
Maurice Renaud
Maurice Renaud
Carl Braun
Zina de Nuovina
Maurice Renaud by Bary
Albert Vaguet by Nadar
Albert Saleza by Benque
Maurice Renaud by Benque
Lucien Muratore by Bert
John Coates
Florence Easton & Thomas John Maclennan (Son)
Edyth Walker
Edyth Walker
Edyth Walker
Margurite Carre By Paul Berger
Jean Francois Delmas by Deguy
Jean Francois Delmas by Deguy
Amadeo Bassi by Mishkin
Albert Alvarez by Bary
Albert Alvarez by Benque
Rose Caron by Benque
Mathilde Auguez By Reutlinger
Unknown by Martin Honscheidt
Henri Albers by Reutlinger
Leon Melchissedec , Marie Daram & Henry Sellier…
Elena Gerhardt
Elena Gerhardt
Elena Gerhardt
Elena Gerhardt
Ottilie Metzger-Froitzheim
Emilie Herzog
John Coates


John Coates
1865 – 1941
English tenor
His early singing experience came as a chorister in a church choir (under his father's direction), where he learnt the importance of accent in singing from the performance of the Gregorian chant. He studied voice under multiple teachers: in Yorkshire under J. G. Walton, Robert Burton and Dr. J. C. Bridge, and in London under W. Shakespeare and T. A. Wallworth, and in Paris under Jacques Bouhy.Coates began his performing career as a baritone. He first appeared as Valentin in Gounod's Faust, as an amateur, with the Carl Rosa Opera Company in Manchester and Liverpool. After further training, he was engaged by the D'Oyly Carte Opera Company for its 1894 tour, Reappeared as a tenor in light opera in 1899-1900 at the Globe Theatre in London. He first appeared at the Globe Theatre in The Gay Pretenders in November 1900 and then at Covent Garden Opera House to created the role of Claudio in Charles Villiers Stanford's four-act opera "Much Ado About Nothing" in 1901.This was followed by Gounod's Faust, this time in the title role. That year he also appeared in the "Gürzenich's Concerts and Opera" at Cologne and Leipzig.Coates became one of the most popular festival singers in England,
1865 – 1941
English tenor
His early singing experience came as a chorister in a church choir (under his father's direction), where he learnt the importance of accent in singing from the performance of the Gregorian chant. He studied voice under multiple teachers: in Yorkshire under J. G. Walton, Robert Burton and Dr. J. C. Bridge, and in London under W. Shakespeare and T. A. Wallworth, and in Paris under Jacques Bouhy.Coates began his performing career as a baritone. He first appeared as Valentin in Gounod's Faust, as an amateur, with the Carl Rosa Opera Company in Manchester and Liverpool. After further training, he was engaged by the D'Oyly Carte Opera Company for its 1894 tour, Reappeared as a tenor in light opera in 1899-1900 at the Globe Theatre in London. He first appeared at the Globe Theatre in The Gay Pretenders in November 1900 and then at Covent Garden Opera House to created the role of Claudio in Charles Villiers Stanford's four-act opera "Much Ado About Nothing" in 1901.This was followed by Gounod's Faust, this time in the title role. That year he also appeared in the "Gürzenich's Concerts and Opera" at Cologne and Leipzig.Coates became one of the most popular festival singers in England,
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