Jean-Baptiste Noté by Aime Dupont
Ernst Van Dyke by Benque
Cecile Ritter by Nadar
John Forsell
John Forsell
John Forsell
John Forsell
John Forsell
Berta Foerster-Lauterer
Gabriel Soulacroix
Heinrich Hensel
Giuseppe Anselmi
Giuseppe Anselmi
Giuseppe Anselmi
Giuseppe Anselmi
Rene Fournetz
Emma Carelli
Hedwig Francillo-Kauffman
Jane Maubourg
Caroline Lefebvre-Faure by Constantin
Otakar Mařák AUTOGRAPH
Vera Schwarz AUTOGRAPH
Heinrich Hensel AUTOGRAPH
Maurice Renaud by Benque
Albert Saleza by Benque
Albert Vaguet by Nadar
Maurice Renaud by Bary
Zina de Nuovina
Carl Braun
Maurice Renaud
Maurice Renaud
Lilli Lehmann & Francesco D'Andrade
Lilli Lehmann & Albert Niemann
Lilli Lehmann
Lilli Lehmann
Mabel Garrison
Alma Fohstrom
Germaine Gallois
Germaine Gallois
Leon Rothier
Hector Dufrane
Meta Seinemeyer
Meta Seinmeyer
Helene Staegemann
Georg Bauer
See also...
Lucien Muratore by Bert


as Herode "Salome' by Strauss
LUCIEN MURATORE
1878-1954
French Tenor
Studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique opposite Emma Calve , creating the King in Reynaldo Hahn's La carmélite.Debut at La Monnaie in 1904, as Werther, and the following year at the Palais Garnier, as Renaud in Lully
Created several Massenet operas such as Ariane and Bacchus, at the Opéra, and Roma, in Monte Carlo. He also took part in the creation of La Catalane by Le Borne, Monna Vanna by Henry Février, Déjanire by Camille Saint-Saëns, and Pénélope by Gabriel Fauré.
He became principal French tenor with the Boston Opera Company, the Chicago Grand Opera Company (1913–1914), the Chicago Opera Association (1915–1921), and the Chicago Civic Opera (1922). He also appeared at the Teatro Colón in Buenos Aires.
Muratore retired from the stage in 1931. Returned to Paris and was made Director of Opera Comique
LUCIEN MURATORE
1878-1954
French Tenor
Studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique opposite Emma Calve , creating the King in Reynaldo Hahn's La carmélite.Debut at La Monnaie in 1904, as Werther, and the following year at the Palais Garnier, as Renaud in Lully
Created several Massenet operas such as Ariane and Bacchus, at the Opéra, and Roma, in Monte Carlo. He also took part in the creation of La Catalane by Le Borne, Monna Vanna by Henry Février, Déjanire by Camille Saint-Saëns, and Pénélope by Gabriel Fauré.
He became principal French tenor with the Boston Opera Company, the Chicago Grand Opera Company (1913–1914), the Chicago Opera Association (1915–1921), and the Chicago Civic Opera (1922). He also appeared at the Teatro Colón in Buenos Aires.
Muratore retired from the stage in 1931. Returned to Paris and was made Director of Opera Comique
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