Lilli Lehmann & Francesco D'Andrade
Maurice Renaud
Maurice Renaud
Carl Braun
Zina de Nuovina
Maurice Renaud by Bary
Albert Vaguet by Nadar
Albert Saleza by Benque
Maurice Renaud by Benque
Lucien Muratore by Bert
Jean-Baptiste Noté by Aime Dupont
Ernst Van Dyke by Benque
Cecile Ritter by Nadar
John Forsell
John Forsell
John Forsell
John Forsell
John Forsell
Berta Foerster-Lauterer
Gabriel Soulacroix
Heinrich Hensel
Giuseppe Anselmi
Giuseppe Anselmi
Lilli Lehmann
Lilli Lehmann
Mabel Garrison
Alma Fohstrom
Germaine Gallois
Germaine Gallois
Leon Rothier
Hector Dufrane
Meta Seinemeyer
Meta Seinmeyer
Helene Staegemann
Georg Bauer
John Coates
John Coates
Florence Easton & Thomas John Maclennan (Son)
Edyth Walker
Edyth Walker
Edyth Walker
Margurite Carre By Paul Berger
Jean Francois Delmas by Deguy
Jean Francois Delmas by Deguy
Amadeo Bassi by Mishkin
Lilli Lehmann & Albert Niemann


LILLI LEHMANN
(Elisabeth Maria Lehmann)
(24 November 1848-17 May 1929) German Soprano
Her father, Karl-August Lehmann, was a singer (Heldentenor) while her mother, Maria Theresia Löw was a soprano. Her first lessons were from her mother, After singing small parts on the stage, for example in Mozart's Magic Flute at Prague in 1866, and studies under Heinrich Laube in Leipzig Lehmann made her proper debut in 1870 in Berlin as a light soprano in Meyerbeer's Das Feldlager in Schlesien. She subsequently became so successful that she was appointed an Imperial Chamber Singer for life in 1876.Sang in the first Bayreuth Festival in 1876 , New York Metropolitan Opera in 1885–1899 .London's Royal Opera House, Covent Garden, in 1899 and sang in Paris and Vienna in 1903 and 1909 respectively. In 1905, she sang at the Salzburg Festival,
ALBERT NIEMANN
(15 January 1831 – 13 January 1917)
German Tenor
Niemann made a debut in Dessau in 1849, singing in minor roles and in chorus. He received training from Fritz Schneider (director of the ducal Hofkapell), from Albert Nusch and from Gilbert Duprez in Paris. Until 1866 he had various engagements in Stuttgart, Königsberg, Stettin, and from 1854 in Hannover. At Hannover he sang Tannhäuser (from 1854), Lohengrin (from 1855) and Rienzi (from 1859).In 1864, Niemann sang as guest in two performances of Tannhäuser at Munich, and in one of Lohengrin by the arrangement of Ludwig II, shortly before the death of King Maximilian II of Bavaria. Ludwig invited Niemann to repeat these roles in Munich in 1866, but war intervened: in the following year he was again invited, but declined, because the usual cuts were not to be made. In 1866, he became a member of the Berlin Opera, and remained so until 1888. In April 1870, he sang Walther in the Berlin Meistersinger premiere. As Tichatschek had grown old, and after Ludwig Schnorr's death in 1865, Niemann had become one of the most experienced and advanced Wagnerian tenors,
In May 1872 he was in the quartet of soloists (with Johanna Jachmann-Wagner, Marie Lehmann and Franz Betz) in the inaugural performance of Beethoven's Ninth Symphony at the foundation-stone laying of the Bayreuth Festspielhaus,
Niemann remained with the Berlin opera until 1888, but in the later years of his career he participated in several important tours. In 1882, he appeared as Siegmund in the first London Die Walküre, at Her Majesty's Theatre. In 1883, he was one of the twelve pall-bearers at Wagner's funeral at Wahnfried. From 1886 to 1888 he appeared at the Metropolitan Opera House, as the first American Tristan (December 1, 1886, Anton Seidl, conductor, Lilli Lehmann, Isolde, as Siegfried in the first American Götterdämmerung ( January 25, 1888, with Lilli Lehmann as Brünnhilde, and in Spontini's opera Fernando Cortez. In New York, he also sang Siegmund, John of Leyden in Le prophète, Tannhäuser, Lohengrin, Florestan (in Fidelio), and Eleazar in La juive. Angelo Neumann's touring company, in which Niemann took part under Seidl's conductorship, toured with the Ring through many towns of Germany, Belgium, Holland, Switzerland, Italy, Hungary, and AustriaAlbert Niemann died in Berlin, two days short of his 86th birthday.
(Elisabeth Maria Lehmann)
(24 November 1848-17 May 1929) German Soprano
Her father, Karl-August Lehmann, was a singer (Heldentenor) while her mother, Maria Theresia Löw was a soprano. Her first lessons were from her mother, After singing small parts on the stage, for example in Mozart's Magic Flute at Prague in 1866, and studies under Heinrich Laube in Leipzig Lehmann made her proper debut in 1870 in Berlin as a light soprano in Meyerbeer's Das Feldlager in Schlesien. She subsequently became so successful that she was appointed an Imperial Chamber Singer for life in 1876.Sang in the first Bayreuth Festival in 1876 , New York Metropolitan Opera in 1885–1899 .London's Royal Opera House, Covent Garden, in 1899 and sang in Paris and Vienna in 1903 and 1909 respectively. In 1905, she sang at the Salzburg Festival,
ALBERT NIEMANN
(15 January 1831 – 13 January 1917)
German Tenor
Niemann made a debut in Dessau in 1849, singing in minor roles and in chorus. He received training from Fritz Schneider (director of the ducal Hofkapell), from Albert Nusch and from Gilbert Duprez in Paris. Until 1866 he had various engagements in Stuttgart, Königsberg, Stettin, and from 1854 in Hannover. At Hannover he sang Tannhäuser (from 1854), Lohengrin (from 1855) and Rienzi (from 1859).In 1864, Niemann sang as guest in two performances of Tannhäuser at Munich, and in one of Lohengrin by the arrangement of Ludwig II, shortly before the death of King Maximilian II of Bavaria. Ludwig invited Niemann to repeat these roles in Munich in 1866, but war intervened: in the following year he was again invited, but declined, because the usual cuts were not to be made. In 1866, he became a member of the Berlin Opera, and remained so until 1888. In April 1870, he sang Walther in the Berlin Meistersinger premiere. As Tichatschek had grown old, and after Ludwig Schnorr's death in 1865, Niemann had become one of the most experienced and advanced Wagnerian tenors,
In May 1872 he was in the quartet of soloists (with Johanna Jachmann-Wagner, Marie Lehmann and Franz Betz) in the inaugural performance of Beethoven's Ninth Symphony at the foundation-stone laying of the Bayreuth Festspielhaus,
Niemann remained with the Berlin opera until 1888, but in the later years of his career he participated in several important tours. In 1882, he appeared as Siegmund in the first London Die Walküre, at Her Majesty's Theatre. In 1883, he was one of the twelve pall-bearers at Wagner's funeral at Wahnfried. From 1886 to 1888 he appeared at the Metropolitan Opera House, as the first American Tristan (December 1, 1886, Anton Seidl, conductor, Lilli Lehmann, Isolde, as Siegfried in the first American Götterdämmerung ( January 25, 1888, with Lilli Lehmann as Brünnhilde, and in Spontini's opera Fernando Cortez. In New York, he also sang Siegmund, John of Leyden in Le prophète, Tannhäuser, Lohengrin, Florestan (in Fidelio), and Eleazar in La juive. Angelo Neumann's touring company, in which Niemann took part under Seidl's conductorship, toured with the Ring through many towns of Germany, Belgium, Holland, Switzerland, Italy, Hungary, and AustriaAlbert Niemann died in Berlin, two days short of his 86th birthday.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.