Germaine Gallois
Germaine Gallois
Alma Fohstrom
Mabel Garrison
Lilli Lehmann
Lilli Lehmann
Lilli Lehmann & Albert Niemann
Lilli Lehmann & Francesco D'Andrade
Maurice Renaud
Maurice Renaud
Carl Braun
Zina de Nuovina
Maurice Renaud by Bary
Albert Vaguet by Nadar
Albert Saleza by Benque
Maurice Renaud by Benque
Lucien Muratore by Bert
Jean-Baptiste Noté by Aime Dupont
Ernst Van Dyke by Benque
Cecile Ritter by Nadar
John Forsell
John Forsell
John Forsell
Hector Dufrane
Meta Seinemeyer
Meta Seinmeyer
Helene Staegemann
Georg Bauer
John Coates
John Coates
Florence Easton & Thomas John Maclennan (Son)
Edyth Walker
Edyth Walker
Edyth Walker
Margurite Carre By Paul Berger
Jean Francois Delmas by Deguy
Jean Francois Delmas by Deguy
Amadeo Bassi by Mishkin
Albert Alvarez by Bary
Albert Alvarez by Benque
Rose Caron by Benque
Mathilde Auguez By Reutlinger
Unknown by Martin Honscheidt
Henri Albers by Reutlinger
Leon Melchissedec , Marie Daram & Henry Sellier…
Leon Rothier


as Don Pizarro "Fidelio" Beethoven
Léon Rothier
1874 – 1951
French operatic bass
Studied the Conservatoire de Paris .1899, he made his singing debut at the Opéra-Comique in Paris, in Charles Gounod's Philémon et Baucis. One year later, he participated in the premiere of Gustave Charpentier's Louise. Rothier left the Opéra-Comique in 1907, and after some short stints with a few smaller French opera companies, moved to the United States, beginning a 30-year association with the Metropolitan Opera in New York City. He created the role of Grandfather Tyl in L'oiseau bleu by Albert Wolff (1919). He was still fulfilling public singing engagements in New York City as late as 1949, at the Town Hall performance space.
Léon Rothier
1874 – 1951
French operatic bass
Studied the Conservatoire de Paris .1899, he made his singing debut at the Opéra-Comique in Paris, in Charles Gounod's Philémon et Baucis. One year later, he participated in the premiere of Gustave Charpentier's Louise. Rothier left the Opéra-Comique in 1907, and after some short stints with a few smaller French opera companies, moved to the United States, beginning a 30-year association with the Metropolitan Opera in New York City. He created the role of Grandfather Tyl in L'oiseau bleu by Albert Wolff (1919). He was still fulfilling public singing engagements in New York City as late as 1949, at the Town Hall performance space.
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