Cecile Eyereams
Cecile Eyereams
Mario Gillion
Charlotte Wyns
Marthe Riothon
Marthe Riothon
Oskar Kamionsky
Hermine Kittel
Elizabeth Schumann
Elizabeth Schumann & Carl Armster
Elizabeth Schumann & Otakar Marak
Elizabeth Schumann & Helene Jung
Aline Vallandri
Aline Vallandri
Aline Vallandri
Elsa Stunzer
Johannes Sembach
Johannes Sembach
Johannes Sembach
Fanny Toresella
Maria Olszewska
Lucy Weidt
Karl Burrien
Hans Rudiger
Otakar Marak
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Eduard Lichtenstein
Arvid Odmann
Marguerite Carrere-Xanrof
Jane Margyl
Jane Margyl
Lucie Bertrand (Berthet)
Lucie Bertrand (Berthet)
Lucie Bertrand (Berthet)
Charles Dalmores
Otakar Marak


as Canio 'Pagliacci" Leoncavallo
Otakar Mařák
1872 – 1939
Czech Tenor
Debut in the title role of Charles Gounod's opera Faust on 1 February 1899 in Brno.In the same year he was engaged by the National Theatre in Prague. From 1901, he performed abroad. He was a regular member of the National Theatre between 1899–1901 and again in 1903–1907. In 1907 he left for Paris, where he continued to school his voice then in 1908–1918 performed at London's Covent Garden and Berlin's Komische Oper. Following World War I, Mařák became an American citizen and went on to teach in the country between 1934–1937.He especially excelled in Smetana parts such as Jeník in The Bartered Bride, Dalibor, Ladislav Podhajský in The Two Widows, Lucas in The Kiss as well as in traditional world repertory which saw Mařák play Don Ottavio in Don Giovanni, Massenet's Werther, Cavaradossi in Tosca and Alfred Germont in La Traviata. He often took on the role of Don José in Bizet's Carmen.
Otakar Mařák
1872 – 1939
Czech Tenor
Debut in the title role of Charles Gounod's opera Faust on 1 February 1899 in Brno.In the same year he was engaged by the National Theatre in Prague. From 1901, he performed abroad. He was a regular member of the National Theatre between 1899–1901 and again in 1903–1907. In 1907 he left for Paris, where he continued to school his voice then in 1908–1918 performed at London's Covent Garden and Berlin's Komische Oper. Following World War I, Mařák became an American citizen and went on to teach in the country between 1934–1937.He especially excelled in Smetana parts such as Jeník in The Bartered Bride, Dalibor, Ladislav Podhajský in The Two Widows, Lucas in The Kiss as well as in traditional world repertory which saw Mařák play Don Ottavio in Don Giovanni, Massenet's Werther, Cavaradossi in Tosca and Alfred Germont in La Traviata. He often took on the role of Don José in Bizet's Carmen.
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