Karl Burrien
Lev Sibiriakov Autographed
Adelina Agostinelli
Irene Abendroth
Ellen Gulbranson
Ellen Gulbranson
Juliette Bilbaut-Vauchelet
Mafalda Salvatini
La Boheme
Thomas Salignac
Thomas Salignac
Paul Seveilhac
Helene Demellier
Henry Laskin
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Katherina Senger-Bettaque
Louis (Andre) Allard
Maggie Teyte
Yelena Tsvetkova
Maria Olszewska
Fanny Toresella
Johannes Sembach
Johannes Sembach
Johannes Sembach
Elsa Stunzer
Aline Vallandri
Aline Vallandri
Aline Vallandri
Elizabeth Schumann & Helene Jung
Elizabeth Schumann & Otakar Marak
Elizabeth Schumann & Carl Armster
Elizabeth Schumann
Hermine Kittel
Oskar Kamionsky
Marthe Riothon
Marthe Riothon
Charlotte Wyns
Mario Gillion
Cecile Eyereams
Cecile Eyereams
Otakar Marak
Lucy Weidt


LUCY WEIDT
(Marie Louise Charlotta Weidt.)
1876-1940
German Soprano
Studied with Papier-Paumgartner.Soprano at the Vienna Hofoper for the better part of a quarter of a century. Lucie Weidt’s career was no provincial affair by any means. In Vienna and made her operatic début at Leipzig in 1900. Elisabeth in Tannhäuser was her Vienna début rôle in 1902. While the Hofoper remained the center of her activities until her retirement in 1926, Weidt’s remarkable dramatic soprano voice led to engagements in Paris, Milan, Amsterdam, Brussels, Buenos Aires and New York. The Marschallin and Kundry were generally regarded as her finest interpretations. In 1919 she created to role of "The Nurse" (Amme) in Die Frau ohne Schatten. After retirement, she taught in Vienna and resided there till her death.
(Marie Louise Charlotta Weidt.)
1876-1940
German Soprano
Studied with Papier-Paumgartner.Soprano at the Vienna Hofoper for the better part of a quarter of a century. Lucie Weidt’s career was no provincial affair by any means. In Vienna and made her operatic début at Leipzig in 1900. Elisabeth in Tannhäuser was her Vienna début rôle in 1902. While the Hofoper remained the center of her activities until her retirement in 1926, Weidt’s remarkable dramatic soprano voice led to engagements in Paris, Milan, Amsterdam, Brussels, Buenos Aires and New York. The Marschallin and Kundry were generally regarded as her finest interpretations. In 1919 she created to role of "The Nurse" (Amme) in Die Frau ohne Schatten. After retirement, she taught in Vienna and resided there till her death.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.