Lucille Tostée by Ken
Marie Roze by Lafeyette
Minnie Hauk by Newsboy (11)
Anna Sachse-Hofmeister
Leonid Sobinov by Wezenburg
Gervase Elwes
Rosa Ethofer
Nelly Martyl
Nelly Martyl
Baptist Hoffmann &Emilie Herzog
Baptist Hoffmann
Mathilde Albertine Craponne
Mathilde Albertine Craponne
Richard Mayr
Karl Jorn
Karl Jorn
Fritz Soot
Luise Perard-Petzl
Emma Calve by Dupont
Gabriel Soulacroix by Dupont
Edmond Vergnet by Dupont
Eloi Sylva by Dupont
Blanche Deschamps-Jéhin by Dupont
Ernestine Schumann-Heink
Lina Bell by Nadar
Marie Heilbronn by Pierson & Braun
Marie Sasse by Reutlinger (3)
Christine Nilsson by Reutlinger (13)
Adelina Patti by Reutlinger (21)
Marius Chambon
Pauline Donalda
Lalla Miranda
Hans Duhan
Paul Dufault
Julius Lieban
Lillian Blauvelt
Vera Nimidoff.
Julia Culp
Catherine Mastio
Catherine Mastio
Catherine Mastio
Irma Terväni
Mario & Patti by Caldesi
Emma Albani by Nadar (8)
Hortense Schneider by Ulric Gob
See also...
Alice Ducasse by Benque


ALICE DUCASSE
(Anne-Elisa Alice Ducasse)
1841-19??
Chillian Soprano
At the Théâtre Lyrique under Pasdeloup and Vizentini she sang various roles at that theatre, creating Mab in Bizet's La jolie fille de Perth, as well as Nérine in L'irato by Méhul (November 1868), Formosa in En Prison by Guiraud (March 1869), and Thérèse in Don Quichotte by Boulanger (May 1869) .At the Opéra Comique she created Léna in the 1872 premiere of La princesse jaune, and Frasquita in the 1875 premiere of Carmen, as well as singing in the first Opéra Comique performances of works premiered elsewhere: Jacqueline in Le médecin malgré lui in 1872, Stefano in Roméo et Juliette in 1873, a shepherd in the 1874 revival of Le pardon de Ploërmel, Nicette in the 1871 revival of Le Pré aux clercs Mirza in the 1876 production of Lalla-Roukh, Rita in the 1877 revival of Zampa and Papagena in the 1879 production of The Magic Flute.
After appearing as Marceline in The Marriage of Figaro in May 1882, Ducasse left the stage to take up teaching
(Anne-Elisa Alice Ducasse)
1841-19??
Chillian Soprano
At the Théâtre Lyrique under Pasdeloup and Vizentini she sang various roles at that theatre, creating Mab in Bizet's La jolie fille de Perth, as well as Nérine in L'irato by Méhul (November 1868), Formosa in En Prison by Guiraud (March 1869), and Thérèse in Don Quichotte by Boulanger (May 1869) .At the Opéra Comique she created Léna in the 1872 premiere of La princesse jaune, and Frasquita in the 1875 premiere of Carmen, as well as singing in the first Opéra Comique performances of works premiered elsewhere: Jacqueline in Le médecin malgré lui in 1872, Stefano in Roméo et Juliette in 1873, a shepherd in the 1874 revival of Le pardon de Ploërmel, Nicette in the 1871 revival of Le Pré aux clercs Mirza in the 1876 production of Lalla-Roukh, Rita in the 1877 revival of Zampa and Papagena in the 1879 production of The Magic Flute.
After appearing as Marceline in The Marriage of Figaro in May 1882, Ducasse left the stage to take up teaching
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