Lalla Miranda
Pauline Donalda
Marius Chambon
Adelina Patti by Reutlinger (21)
Christine Nilsson by Reutlinger (13)
Marie Sasse by Reutlinger (3)
Marie Heilbronn by Pierson & Braun
Lina Bell by Nadar
Ernestine Schumann-Heink
Alice Ducasse by Benque
Lucille Tostée by Ken
Marie Roze by Lafeyette
Minnie Hauk by Newsboy (11)
Anna Sachse-Hofmeister
Leonid Sobinov by Wezenburg
Gervase Elwes
Rosa Ethofer
Nelly Martyl
Nelly Martyl
Baptist Hoffmann &Emilie Herzog
Baptist Hoffmann
Mathilde Albertine Craponne
Mathilde Albertine Craponne
Paul Dufault
Julius Lieban
Lillian Blauvelt
Vera Nimidoff.
Julia Culp
Catherine Mastio
Catherine Mastio
Catherine Mastio
Irma Terväni
Mario & Patti by Caldesi
Emma Albani by Nadar (8)
Hortense Schneider by Ulric Gob
Milly Meyer by Nadar
Marguerite Priola by Tourtin
Adelina Patti by L & Co (20)
Pauline Lucca by L & Co
Marie Roze by Reutlinger
Adelina Patti by Reutlinger (19)
Mathilde Mallinger by Luckhardt
Lina Mayr by Graf
Frieda Hempel
Emmy Destinn
Hans Duhan


Hans Duhan
1890-1971
Austrian Baritone
Studied in Vienna with Gottinger and Emil Steger, I n April 1914 he made his debut as Amonasro in “ Aida” by Verdi at the Vienna Court Opera. Remained at Vienna Court opera until 1940, as a baritone, later as a director and occasionally as a conductor. He sang in three major premieres : In 1916, he sang the role of the music teacher and Harlequin in the new version of “Ariadne auf Naxos “ by Hugo von Hofmannsthal and Richard Strauss. He accompanied the Vienna State Opera on numerous tours to London, Paris, Stockholm, Amsterdam, Rome, Budapest in the 1920’s and 1930’s he was a popular figure at the Salzburg Music Festival . From 1932-1955 he worked as a teacher of the opera class at the Vienna Academy of Music.Roles included Don Giovanni, as well as the Count Almaviva in Le nozze di Figaro. Pasha Selim in Die Entführung aus dem Serail, Scarpia in Puccini's Tosca, Don Fernando in Beethoven's Fidelio and Frank in Fledermaus by Johann Strauss
1890-1971
Austrian Baritone
Studied in Vienna with Gottinger and Emil Steger, I n April 1914 he made his debut as Amonasro in “ Aida” by Verdi at the Vienna Court Opera. Remained at Vienna Court opera until 1940, as a baritone, later as a director and occasionally as a conductor. He sang in three major premieres : In 1916, he sang the role of the music teacher and Harlequin in the new version of “Ariadne auf Naxos “ by Hugo von Hofmannsthal and Richard Strauss. He accompanied the Vienna State Opera on numerous tours to London, Paris, Stockholm, Amsterdam, Rome, Budapest in the 1920’s and 1930’s he was a popular figure at the Salzburg Music Festival . From 1932-1955 he worked as a teacher of the opera class at the Vienna Academy of Music.Roles included Don Giovanni, as well as the Count Almaviva in Le nozze di Figaro. Pasha Selim in Die Entführung aus dem Serail, Scarpia in Puccini's Tosca, Don Fernando in Beethoven's Fidelio and Frank in Fledermaus by Johann Strauss
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