Marius Chambon
Adelina Patti by Reutlinger (21)
Christine Nilsson by Reutlinger (13)
Marie Sasse by Reutlinger (3)
Marie Heilbronn by Pierson & Braun
Lina Bell by Nadar
Ernestine Schumann-Heink
Alice Ducasse by Benque
Lucille Tostée by Ken
Marie Roze by Lafeyette
Minnie Hauk by Newsboy (11)
Anna Sachse-Hofmeister
Leonid Sobinov by Wezenburg
Gervase Elwes
Rosa Ethofer
Nelly Martyl
Nelly Martyl
Baptist Hoffmann &Emilie Herzog
Baptist Hoffmann
Mathilde Albertine Craponne
Mathilde Albertine Craponne
Richard Mayr
Karl Jorn
Lalla Miranda
Hans Duhan
Paul Dufault
Julius Lieban
Lillian Blauvelt
Vera Nimidoff.
Julia Culp
Catherine Mastio
Catherine Mastio
Catherine Mastio
Irma Terväni
Mario & Patti by Caldesi
Emma Albani by Nadar (8)
Hortense Schneider by Ulric Gob
Milly Meyer by Nadar
Marguerite Priola by Tourtin
Adelina Patti by L & Co (20)
Pauline Lucca by L & Co
Marie Roze by Reutlinger
Adelina Patti by Reutlinger (19)
Mathilde Mallinger by Luckhardt
Lina Mayr by Graf
Pauline Donalda


Pauline Donalda
(Pauline Lightstone)
1882-1970
Canadian Soprano
Studied with Clara Lichtenstein at the Royal Victoria College Montreal. In 1902 she went to Paris , and studied voice with Edmond Duvernoy, Debut in Nice in 1904 , singing Manon in “Manon” by Massenet . In Nice she sang Jenny in the French premiere of “ Chatterton” by Leoncavallo. London debut 1905 at Covent Garden, singing Micaëla In “Carmen” by Bizet . In 1905 she sang Ah-Joe in the premiere of “L'Oracolo “ by Franco Leoni, In 1919 she was the first London Concepción in the English premiere of Ravel's “L'Heure espagnole” In 1905 she sang at the Théâtre de la Monnaie in Brussels. Debut in Canada, singing with her first husband baritone (later Tenor) Paul Seveilhac at a recital in the Montreal Arena. Hammerstein's Manhattan Opera New York 1906 as Marguerite in” Faust” by Gounod. 1907 made her debut at the Opéra-Comique in Paris as Manon in “ Manon” by Massenet. She made concert tours that took her through Central Europe, and to Russia in 1910. After a short visit to Canada in 1910, she returned to Covent Garden and again in 1912-1913. Nice 1914, and then to Canada, pursuing her career in concerts . 1915 at New York and Boston. 1916 sang Nedda in I Pagliacci at the Princess Theatre (Montreal). She returned to Paris in 1917. She sang again in Covent Garden when it reopened in 1919, but this was her last season in this theatre. She began teaching, opening a studio in Paris in 1922. Returning to Montreal in 1937 and opening a studio there. She founded the Opera Guild in 1942 and directed +it until 1969,Rolesf Marguerite in “Faust “ By Gounod, Micaëla In “Carmen” by Bizet, Mimi.in “La Boheme” by Puccini , Nedda in “I Pagliacci” by Leoncavallo. Page in Les Huguenots” “Meybeer ,Violeta “La Traviatta” by Verdi , Elsa in “Lohengrin” and Eva in “Die Meistersinger” both by Wagner
(Pauline Lightstone)
1882-1970
Canadian Soprano
Studied with Clara Lichtenstein at the Royal Victoria College Montreal. In 1902 she went to Paris , and studied voice with Edmond Duvernoy, Debut in Nice in 1904 , singing Manon in “Manon” by Massenet . In Nice she sang Jenny in the French premiere of “ Chatterton” by Leoncavallo. London debut 1905 at Covent Garden, singing Micaëla In “Carmen” by Bizet . In 1905 she sang Ah-Joe in the premiere of “L'Oracolo “ by Franco Leoni, In 1919 she was the first London Concepción in the English premiere of Ravel's “L'Heure espagnole” In 1905 she sang at the Théâtre de la Monnaie in Brussels. Debut in Canada, singing with her first husband baritone (later Tenor) Paul Seveilhac at a recital in the Montreal Arena. Hammerstein's Manhattan Opera New York 1906 as Marguerite in” Faust” by Gounod. 1907 made her debut at the Opéra-Comique in Paris as Manon in “ Manon” by Massenet. She made concert tours that took her through Central Europe, and to Russia in 1910. After a short visit to Canada in 1910, she returned to Covent Garden and again in 1912-1913. Nice 1914, and then to Canada, pursuing her career in concerts . 1915 at New York and Boston. 1916 sang Nedda in I Pagliacci at the Princess Theatre (Montreal). She returned to Paris in 1917. She sang again in Covent Garden when it reopened in 1919, but this was her last season in this theatre. She began teaching, opening a studio in Paris in 1922. Returning to Montreal in 1937 and opening a studio there. She founded the Opera Guild in 1942 and directed +it until 1969,Rolesf Marguerite in “Faust “ By Gounod, Micaëla In “Carmen” by Bizet, Mimi.in “La Boheme” by Puccini , Nedda in “I Pagliacci” by Leoncavallo. Page in Les Huguenots” “Meybeer ,Violeta “La Traviatta” by Verdi , Elsa in “Lohengrin” and Eva in “Die Meistersinger” both by Wagner
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