Curious
1917
Weather or not
Happy Halloween II
Morning light
And the point of the story is...
Om mani padme hum
November noon
uplifting
A mess made in heaven
summer seen
four before
Remember to fall back
Seen
Quickly
Really BIG pans
and for his darling daughter
Simply stated
Yatagarasu 八咫烏
from the sixties
Morning's work
Pretty in Red
The island after
Waiting for sunset
Returning
1000 yard
Elemental
The road home
Happy Halloween!
Metamorphs
EDM Challenge #323
The statement
A pattern revisited
Out in the noonday sun
After the dance
Queen of night and darkness
The neighbors
Not without forethought
Exhibit Three
Exhibit Two
Exhibit One
On Monday morning
3 one minute poses
16 October 2011
EDM #301 Draw something cute
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Days gone by


I think that just as tens of thousands of years has hardwired us to find and feel security sitting around the glow of an open fire, we've also come to find tranquility going with the flow on quiet waters.
Our ancestors, as hunter/gatherers, on land had to stay always alert, both to find food and to avoid becoming food of other predators. However once on the water they could relax at least somewhat, each boat length of water twix them an the shore adding to their security, the beasts that rend with tooth and claw were still there but held at bay.
Subsequently I love being on, or even just near, the water. Raft, canoe, oar or sail is best . One is at the mercy of the elements and, usually, the elements are extremely merciful. The waters are not forgiving but, if we move upon them with respect and understanding, they are accommodating to our needs and wishes.
Sumi-e, Japanese ink and brush painting, provides me with the same feelings of tranquility and trust. Sumi-e is a difficult medium. Choosing the right sumi ( ink sticks), fude (brushes), etc. Then grinding the sumi on a suzuri (inkstone) to just the right depth of color and consistency…
Gasen-shi, a thin, delecate, quite absorbent paper. Approached with respect and understanding, the fude flies leaving wonderful images behind. Hesitate, the ink puddles, spreads. Too much force, too wet, the paper tears and all is ruined.
Like floating on the water, with sumi one is at the mercy of the elements and they are not forgiving. However if we move with them, peace, tranquility and, sometimes, amazing beauty results.
Sumi-e, ink on 'rice' paper, 13 by 19 inches.
Our ancestors, as hunter/gatherers, on land had to stay always alert, both to find food and to avoid becoming food of other predators. However once on the water they could relax at least somewhat, each boat length of water twix them an the shore adding to their security, the beasts that rend with tooth and claw were still there but held at bay.
Subsequently I love being on, or even just near, the water. Raft, canoe, oar or sail is best . One is at the mercy of the elements and, usually, the elements are extremely merciful. The waters are not forgiving but, if we move upon them with respect and understanding, they are accommodating to our needs and wishes.
Sumi-e, Japanese ink and brush painting, provides me with the same feelings of tranquility and trust. Sumi-e is a difficult medium. Choosing the right sumi ( ink sticks), fude (brushes), etc. Then grinding the sumi on a suzuri (inkstone) to just the right depth of color and consistency…
Gasen-shi, a thin, delecate, quite absorbent paper. Approached with respect and understanding, the fude flies leaving wonderful images behind. Hesitate, the ink puddles, spreads. Too much force, too wet, the paper tears and all is ruined.
Like floating on the water, with sumi one is at the mercy of the elements and they are not forgiving. However if we move with them, peace, tranquility and, sometimes, amazing beauty results.
Sumi-e, ink on 'rice' paper, 13 by 19 inches.
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