A mess made in heaven
summer seen
four before
Remember to fall back
Seen
Quickly
Really BIG pans
and for his darling daughter
Simply stated
Yatagarasu 八咫烏
from the sixties
Morning's work
Pretty in Red
The island after
Trail from the river
Ambiguity
Sub-arctic rescue
At minus forty degrees
Starting to unravel
Tom Turkey Tells......
Dis couraged
study, torso
CollideOscope II
November noon
Om mani padme hum
And the point of the story is...
Morning light
Happy Halloween II
Weather or not
1917
Curious
Days gone by
Waiting for sunset
Returning
1000 yard
Elemental
The road home
Happy Halloween!
Metamorphs
EDM Challenge #323
The statement
A pattern revisited
Out in the noonday sun
After the dance
Queen of night and darkness
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uplifting


I was exchanging a few words, via the web, with a NYC artist, Fred Hatt, yesterday about watercolors. He, moving from another medium, basically noted with watercolors, the working from light to dark & using the paper itself for the whites is, if not daunting, counterintuitive for most non-watercolor artists.
-Which, of course got me to thinking about moving from dark to light with watercolors. :-)
So! I laid down a ground, wet on wet of the three basic colors, blue, red, yellow. Just vertical stripes, blending where they met. Then with a damp brush and tissue, I lifted colors off the paper to create the image of the kneeling nude. The first lift was done while the paper/paints were still wet, increasing the blending of the 3 colors. I did this about three or four times, letting the paper dry between liftings, until I had this image. Other than time to allow drying, the I probably didn't spend more than 15 minutes creating this (I know, I know, it shows!-grin-) piece. None the less it was, for me, an interesting exercise working from dark to light in watercolors.
On Canson's 140 pound cold pressed paper, 9 by 12 inches.
-Which, of course got me to thinking about moving from dark to light with watercolors. :-)
So! I laid down a ground, wet on wet of the three basic colors, blue, red, yellow. Just vertical stripes, blending where they met. Then with a damp brush and tissue, I lifted colors off the paper to create the image of the kneeling nude. The first lift was done while the paper/paints were still wet, increasing the blending of the 3 colors. I did this about three or four times, letting the paper dry between liftings, until I had this image. Other than time to allow drying, the I probably didn't spend more than 15 minutes creating this (I know, I know, it shows!-grin-) piece. None the less it was, for me, an interesting exercise working from dark to light in watercolors.
On Canson's 140 pound cold pressed paper, 9 by 12 inches.
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