K checking in
Two of M
J on the other side of the camera
Through a window that should be a door
Bernlaw's opening
Philip and Emma
Two at the gallery
One more from the gallery
Barbershop Trio
Another pair at the opening last weekend
Sunday afternoon walk
Across Chamberlains Bight
Sting, last night
Sting
Travelling / Need supplies
Many a slip twixt plans and pans
November 1990 expired; June 2013 garden
Young Mr Knight died almost a hundred years ago
David
Growing not falling
Trunk
Overlooking the Arm
Harry outside
Path through the grass
The meadow
Billboards
Supper shenanigans
St. Anne's Siding, or thereabouts
Feed mill
Five views at Symes's Bridge
Apple and brook
St. Anne's Siding, or thereabouts
Feed Mill
Big grain, low saturation, off colours.
126 Overlappy Panorama
126 film that was made 25 years ago
Two from R1
Tree blooming
I see you Jonny
Walking in early May
Eating cake
Clowns
Me in the Sprocket Rocket
Margaret Thatcher and Ronald Reagan, 1987
See also...
Authorizations, license
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70 visits
Stop, the sign says


A sign of age (your own) is when buildings you think of as new are
slated for replacement. This bus depot was built when I was a boy and
I still think of it as new. Well, they've built its repacement, a
couple of miles away from this.
"Yeah yeah," you say. I can hear you.
Decade-old Fuji 800 film shot in Canon Demi with a broken meter, so
shot with guessed exposure. It's impossible to know with the Demi
exactly what your exposure is since it has a single linear run from
the widest aperture and slowest speed to the smallest aperture and
fastest speed. It was a bright morning so I chose near the top,
perhaps even f/22 at 1/250 which is the top of the programme. It's
usually a bad idea to shoot with 800 on a sunny day.
slated for replacement. This bus depot was built when I was a boy and
I still think of it as new. Well, they've built its repacement, a
couple of miles away from this.
"Yeah yeah," you say. I can hear you.
Decade-old Fuji 800 film shot in Canon Demi with a broken meter, so
shot with guessed exposure. It's impossible to know with the Demi
exactly what your exposure is since it has a single linear run from
the widest aperture and slowest speed to the smallest aperture and
fastest speed. It was a bright morning so I chose near the top,
perhaps even f/22 at 1/250 which is the top of the programme. It's
usually a bad idea to shoot with 800 on a sunny day.
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