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Supper shenanigans


We were having fun, despite J's face on the right, and as the amount
of glass on the table might indicate. I cropt out some more glass on
the right.
These are two couples; the rhyme scheme is like an old-fashioned song
-- ABAB. We all go way back. I've known one of the A's and one of the
B's since the mid-1970s, and the other two since the 1960s.
Fresh Kodak Colorplus 200 in the Agfa Compact. I shot nearly a whole
roll at this meal and the flash only worked twice. It fired the first
two times I asked it to, but then it died. The Agfa Compact, however
kept taking pictures with something approximating correct exposure.
The lighting was very warm, so the pictures were all very orange.
Rather than trying to compensate by boosting the blue and turning the
red channel way down, I switched to b&w. I used Picasa's
colour-filtering monochrome tool, and chose a filter colour somewhere
between blue and red to get this. The border around this crop (which
is about 50% of the original image) was built in PSP.
of glass on the table might indicate. I cropt out some more glass on
the right.
These are two couples; the rhyme scheme is like an old-fashioned song
-- ABAB. We all go way back. I've known one of the A's and one of the
B's since the mid-1970s, and the other two since the 1960s.
Fresh Kodak Colorplus 200 in the Agfa Compact. I shot nearly a whole
roll at this meal and the flash only worked twice. It fired the first
two times I asked it to, but then it died. The Agfa Compact, however
kept taking pictures with something approximating correct exposure.
The lighting was very warm, so the pictures were all very orange.
Rather than trying to compensate by boosting the blue and turning the
red channel way down, I switched to b&w. I used Picasa's
colour-filtering monochrome tool, and chose a filter colour somewhere
between blue and red to get this. The border around this crop (which
is about 50% of the original image) was built in PSP.
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"A mess"? No. Just impressionistic. :)
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