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Feed mill
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Another pair at the opening last weekend
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126 Overlappy Panorama
126 film that was made 25 years ago
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I see you Jonny
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Big grain, low saturation, off colours.


I have affection for expired fast films. Big grain, low saturation,
off colours. This is from an old roll of Fuji 800 film, given to me by
friends who stopped shooting film more than ten years ago. It was in
their fridge for a decade or so and in a desk drawer of mine for the
past year. This week I put it in my Agfa Paramat. The Paramat has an
auto-exposure system but the film speed only ranges up to 200 which is
where I set this. That's usually not a problem with older, even fresh,
film. It was a foggy day and that sort of old film was well-suited to
it.
When the image was scanned, it was scanned as a pair of half-frames
but I cut the other one (on the left of this) out of the image.
Because two were scanned together, the right edge of this image was
not included, making for a sharp edge there and a fairly skewed
picture but, again, I don't mind.
I added the noisey frame on the top, bottom and right, but it was to
(sorta) match the noisey dark area between the two images, on the
left. You can see the rough edge of the Agfa frame at the top left.
If I were to scan the whole image myself, you'd also see a substantial
notch almost half-way down the right side.
off colours. This is from an old roll of Fuji 800 film, given to me by
friends who stopped shooting film more than ten years ago. It was in
their fridge for a decade or so and in a desk drawer of mine for the
past year. This week I put it in my Agfa Paramat. The Paramat has an
auto-exposure system but the film speed only ranges up to 200 which is
where I set this. That's usually not a problem with older, even fresh,
film. It was a foggy day and that sort of old film was well-suited to
it.
When the image was scanned, it was scanned as a pair of half-frames
but I cut the other one (on the left of this) out of the image.
Because two were scanned together, the right edge of this image was
not included, making for a sharp edge there and a fairly skewed
picture but, again, I don't mind.
I added the noisey frame on the top, bottom and right, but it was to
(sorta) match the noisey dark area between the two images, on the
left. You can see the rough edge of the Agfa frame at the top left.
If I were to scan the whole image myself, you'd also see a substantial
notch almost half-way down the right side.
Fred Fouarge has particularly liked this photo
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The original scan was by the lab that develops my C41 film. Usually they do individual half-frames, but the operator that day only knew how to do full frames, so she got them in pairs.
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