Thanks, TLC. I liked the big one myself, but decided to let people decide for themselves.

Hopper seems to have shown reflections on glass only rarely, and never any that interfered or competed with the stream of light onto his subjects. I've probably mentioned this before, but his paintings seem to me to be all about light, and so it seemed to him, I think -- "Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house."

Another unconscious influence, probably. Photography has chiefly taught me who I'm copying.

Thanks, William.

Thank you very much, George. I'm always hoping to achieve that effect, so it's good to know when I've been successful.