envelope for carroll
work in progress
the ties that bind
anatomical moonbathing
the maenad
big giant (because)
bones of the forest
sweet lips
fuerte, frio, picante
good mail day
victorian surgeon removing a rare "decorative love…
she's halving a cow
mail art for kerri
mail art for gina
like white on rice
strange sunset
dead fish blowout
small postcard for richard
ammonite woman pauses to clear her syphon
"rocky raccoon checked into his room...
envelope for danielle
fraktious (back)
fraktious (front)
a gentle ride for the hobo clown
she's a happy plinth!
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yellow science mania
envelope for AJ
out of the deep past
saw you at the show last night (back)
when you leave this world
dreaming of someone like jackson
the dumpster will provide
saw you at the show last night
I am haunted by thoughts of eternity
the loneliness of the transatlantic courier
2 nudes + 2 screws + 4 tomatoes + (Gilbert & Georg…
mae west #2: blood in the water
ontogeny
annabel lee, april 2012
envelope for trish (front & back)
what if spring were static?
intimations of spring
almost blessed
topsy-turvy thiebaud
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the welcoming darkness below


Cut-paper collage postcard. Upper left is a photo of Donald Judd's untitled installation of large stainless steel boxes. Photo of nurse and patient was taken in a World War I field hospital. Abstract below them is one of Jasper Johns's series of "Grey" paintings.
The original title for this collage was just "the darkness below." I added "welcoming" in the hope of conveying that I don't think darkness has a valence of being "bad." Darkness is simply itself, and sometimes it's in a welcoming mood.
The original title for this collage was just "the darkness below." I added "welcoming" in the hope of conveying that I don't think darkness has a valence of being "bad." Darkness is simply itself, and sometimes it's in a welcoming mood.
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