Louis Alphonse Holtzem by Victoire
Louis Alphonse Holtzem by Walter Damry
Louis Henri Oben by Disderi
Marie Van Zandt by Unknown
Germaine Gallois by Reutlinger
Jeanne Granier by Nadar
Cecile Ritter by Nadar
Desiree Artot by Disderi
Speranza Engally by Nadar
Mily Meyer and Jeanne Granier by Nadar
Heinrich and Therese Vogl by Frans Hanfstaeng's
Mattia Battistini by Lorens
Paul Franz by Gerschel
Marie Gutheil-Schoder by Szekely
Hansel & Gretel Cast by Atelier Adele
Riccardo Martin by Dupont
Theodor Reichmann by Krziwanek
Alexandra Pavlovna Krutikova by Bergamasco
Feodor Chaliapin by Russian Studio
Maria Gay by Stockmann
Ellen Brandt-Foerster by Szekely
Hedwig Francillo-Kauffmann by Brasch
Paul Aumonier by Studio Lux
Armand Castelmary by Brion & Cie
Leon Achard by Carjat & Co
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sass Autograph 1863
Marie Sasse by Charlet &Jacotin
Christine Nilsson by Pierre Petit
William (Vilmas) Beck by Kalma'r Autographed 1898
Mila Roeder (Rodini) by Unknown
Mila Roeder (Rodani) by Lorscher & Petsch
Lucienne Breval by Felix
Maria Kouznetsova by ? Paris
Zelia Trebelli by Elliott & Fry
Francesco Tamagno by Falk
Vilma Bognar by Mahlknecht
Carl Mayerhofer by Mahlknecht
Wilhelm Gruning by Hoffert
Unknown by Charles
Luise Garay- Lichtmay By L Angerer
Karoline von Gompertz-Bettelheim by Miethke & Waw…
Alois Ander by Carl Mahlknecht
See also...
Armand Castelmary by Brion & Cie


Armand Castelmary
(Count Armand de CASTAN)
1834-1897
French Bass
He came from a family of French nobility and his official title was "Count Armand de Castan". In 1863 he started his career at the Grand-Opéra Paris. Here he created the role of Don Diégo in Meyerbeer's "L'Africaine" (1865) with his wife Marie Sasse creating the role of Selika. During the years 1864/67 he was married to the great Prima Donna Marie Sasse (1838-1907) after which they divorced. In 1867 he created the role of the monk "(the apparition of the deceased Carlo Quinto) in Verdi's "Don Carlos, with his wife Marie Sasse in the role of Élisabeth de Valois. In 1868 he created Horatio in the opera "Hamlet" by Ambroise Thomas. In 1870 he left Paris and made his first tour to the USA, singing with the French Opera Company New Orleans. In 1879 he made a second tour to the USA singing with the Strakosch Opera Company and in 1890 again with the Patti-Tamagno Company. In the 1870's he made guest appearances at Naples, Milan, Bologna and Rome. In 1881 he made a tour through South-America and he made further guest appearances at Warsaw, Vienna and London (1889/96). In 1893 he was engaged by The Metropolitan Opera New York, where he made his debut as Vulcain in Gounod's "Philémon et Baucis".This commitment with the Metropolitan marked the end of a great career, which took a tragic end on the evening of 10 February 1897. During a performance of Von Flotow 's "Martha", in which he sang the role of Sir Tristan, Castelmary died on the stage of a devastating heart attack.
(Count Armand de CASTAN)
1834-1897
French Bass
He came from a family of French nobility and his official title was "Count Armand de Castan". In 1863 he started his career at the Grand-Opéra Paris. Here he created the role of Don Diégo in Meyerbeer's "L'Africaine" (1865) with his wife Marie Sasse creating the role of Selika. During the years 1864/67 he was married to the great Prima Donna Marie Sasse (1838-1907) after which they divorced. In 1867 he created the role of the monk "(the apparition of the deceased Carlo Quinto) in Verdi's "Don Carlos, with his wife Marie Sasse in the role of Élisabeth de Valois. In 1868 he created Horatio in the opera "Hamlet" by Ambroise Thomas. In 1870 he left Paris and made his first tour to the USA, singing with the French Opera Company New Orleans. In 1879 he made a second tour to the USA singing with the Strakosch Opera Company and in 1890 again with the Patti-Tamagno Company. In the 1870's he made guest appearances at Naples, Milan, Bologna and Rome. In 1881 he made a tour through South-America and he made further guest appearances at Warsaw, Vienna and London (1889/96). In 1893 he was engaged by The Metropolitan Opera New York, where he made his debut as Vulcain in Gounod's "Philémon et Baucis".This commitment with the Metropolitan marked the end of a great career, which took a tragic end on the evening of 10 February 1897. During a performance of Von Flotow 's "Martha", in which he sang the role of Sir Tristan, Castelmary died on the stage of a devastating heart attack.
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