Speranza Engally by Nadar
Mily Meyer and Jeanne Granier by Nadar
Heinrich and Therese Vogl by Frans Hanfstaeng's
Mattia Battistini by Lorens
Paul Franz by Gerschel
Marie Gutheil-Schoder by Szekely
Hansel & Gretel Cast by Atelier Adele
Riccardo Martin by Dupont
Theodor Reichmann by Krziwanek
Alexandra Pavlovna Krutikova by Bergamasco
Feodor Chaliapin by Russian Studio
Maria Gay by Stockmann
Ellen Brandt-Foerster by Szekely
Hedwig Francillo-Kauffmann by Brasch
Paul Aumonier by Studio Lux
Aino Ackte by Unknown
Marguerite Carre by Reutlinger
Olympia Boronat
Marcelle Demougeot autographed
Eugenio Giraldoni
Etienne Gibert
Aino Ackte by unknown
Luisa Tetrazzini
Cecile Ritter by Nadar
Jeanne Granier by Nadar
Germaine Gallois by Reutlinger
Marie Van Zandt by Unknown
Louis Henri Oben by Disderi
Louis Alphonse Holtzem by Walter Damry
Louis Alphonse Holtzem by Victoire
Armand Castelmary by Brion & Cie
Armand Castelmary by Brion & Cie
Leon Achard by Carjat & Co
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sass Autograph 1863
Marie Sasse by Charlet &Jacotin
Christine Nilsson by Pierre Petit
William (Vilmas) Beck by Kalma'r Autographed 1898
Mila Roeder (Rodini) by Unknown
Mila Roeder (Rodani) by Lorscher & Petsch
Lucienne Breval by Felix
Maria Kouznetsova by ? Paris
Zelia Trebelli by Elliott & Fry
See also...
Desiree Artot by Disderi


Désirée Artôt de Padilla
(Marguerite-Joséphine-Désirée Montagney Artôt)
21st July 1835-3rd April 1907
Belguim Soprano
Initially a mezzo –Soprano. She studied with Pauline Viardot and Francesco Lamperti in London and Paris. She appeared in concerts in Belgium, the Netherlands in 1857 at a State Concert in England. Meyerbeer engaged her for the Paris Opéra, where she made her debut on 5 February 1858 as Fidès in his ‘Le prophete” .She abandoned the French repertoire and went to sing in Italy in 1859. She also sang in Berlin that year, at the opening of the Victoria Theatre with Lorini’s Italian company. She was highly successful in The Barber of Saville , La Cenerentola , Il Trovatore and other roles there. In London in 1859-60 and again in 1863 at Her Majestys Theatre in La Fille du regiment , La traviata and Norma ( Adalgisa) She returned to England in 1864, where she sang at Covent Garden and 1866, in Gounod's ‘Faust” and other roles. In 1868 she visited Russia with a touring Italian company. After Artôt's marriage to Mariano Padilla y Ramos she was often known as Désirée Artôt de Padilla or Désirée Artôt-Padilla. Artôt appeared with Padilla in Italian opera in Germany, Austria, Poland, Sweden, Belgium, the Netherlands, Denmark, Russia, and Finland.She appeared in Moscow in 1868-70 and again in 1875-76, and in Saint Petersburg in 1871–72 and 1876–77.She retired in 1884, but on 22 March 1887 she and Padilla appeared in a scene from Don Giovanni in a celebration of the Emperor's birthday at the Imperial Palace in Berlin; it was also the centenary year of Don Giovanni. She became a singing teacher in Berlin until 1889, before moving to Paris.
(Marguerite-Joséphine-Désirée Montagney Artôt)
21st July 1835-3rd April 1907
Belguim Soprano
Initially a mezzo –Soprano. She studied with Pauline Viardot and Francesco Lamperti in London and Paris. She appeared in concerts in Belgium, the Netherlands in 1857 at a State Concert in England. Meyerbeer engaged her for the Paris Opéra, where she made her debut on 5 February 1858 as Fidès in his ‘Le prophete” .She abandoned the French repertoire and went to sing in Italy in 1859. She also sang in Berlin that year, at the opening of the Victoria Theatre with Lorini’s Italian company. She was highly successful in The Barber of Saville , La Cenerentola , Il Trovatore and other roles there. In London in 1859-60 and again in 1863 at Her Majestys Theatre in La Fille du regiment , La traviata and Norma ( Adalgisa) She returned to England in 1864, where she sang at Covent Garden and 1866, in Gounod's ‘Faust” and other roles. In 1868 she visited Russia with a touring Italian company. After Artôt's marriage to Mariano Padilla y Ramos she was often known as Désirée Artôt de Padilla or Désirée Artôt-Padilla. Artôt appeared with Padilla in Italian opera in Germany, Austria, Poland, Sweden, Belgium, the Netherlands, Denmark, Russia, and Finland.She appeared in Moscow in 1868-70 and again in 1875-76, and in Saint Petersburg in 1871–72 and 1876–77.She retired in 1884, but on 22 March 1887 she and Padilla appeared in a scene from Don Giovanni in a celebration of the Emperor's birthday at the Imperial Palace in Berlin; it was also the centenary year of Don Giovanni. She became a singing teacher in Berlin until 1889, before moving to Paris.
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