Zelia Trebelli by Elliott & Fry
Maria Kouznetsova by ? Paris
Lucienne Breval by Felix
Mila Roeder (Rodani) by Lorscher & Petsch
Mila Roeder (Rodini) by Unknown
William (Vilmas) Beck by Kalma'r Autographed 1898
Christine Nilsson by Pierre Petit
Marie Sasse by Charlet &Jacotin
Marie Sass Autograph 1863
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sasse by Disderi
Leon Achard by Carjat & Co
Armand Castelmary by Brion & Cie
Armand Castelmary by Brion & Cie
Louis Alphonse Holtzem by Victoire
Louis Alphonse Holtzem by Walter Damry
Louis Henri Oben by Disderi
Marie Van Zandt by Unknown
Germaine Gallois by Reutlinger
Jeanne Granier by Nadar
Cecile Ritter by Nadar
Desiree Artot by Disderi
Vilma Bognar by Mahlknecht
Carl Mayerhofer by Mahlknecht
Wilhelm Gruning by Hoffert
Unknown by Charles
Luise Garay- Lichtmay By L Angerer
Karoline von Gompertz-Bettelheim by Miethke & Waw…
Alois Ander by Carl Mahlknecht
Maria Gay by Esplugas
Malvaut by Fernand Lochard (Autograph)
Malvaut by Fernand Lochard
Fiorello Giraud by Fotographia Artistica
Bertha Ehnn By Culig
Rosa Sucher by E Bieber
Giovanni Battista de Negri by Fotographia Bolognes…
Alfonso Garulli by Fotographia Bolognese
Leontine Mendes by Benque
Leontine Mendes by Benque
Leontine Mendes by Benque
Dinh Gilly By Sarony
Henri Sellier By Dupont
Unknown by Mitkiewizc
Met
See also...
Francesco Tamagno by Falk


FRANCESCO TAMAGNO
(28 December 1850 – 31 August 1905)
Italian Tenor
Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated, too, in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899).
He was lauded for his performances of such established parts as Manrico in Il trovatore, Don Alvaro in La forza del destino, the titles role in Ernani and Poliuto, Arnold in Guillaume Tell, John of Leyden in Le prophète, Raoul in Les Huguenots, Vasco in L'Africaine, Robert in Robert le diable and Eleazar in La Juive. He excelled in the newer dramatic parts of Radames in Aida, Samson in Samson et Dalila, Alim in Le roi de Lahore and John the Baptist in Hérodiade. Yet, in his younger days, before his voice grew too robust, he was able to negotiate a role as light and graceful as that of Edgardo in Lucia di Lammermoor due to his accomplished mezza-voce singing.
(28 December 1850 – 31 August 1905)
Italian Tenor
Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated, too, in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899).
He was lauded for his performances of such established parts as Manrico in Il trovatore, Don Alvaro in La forza del destino, the titles role in Ernani and Poliuto, Arnold in Guillaume Tell, John of Leyden in Le prophète, Raoul in Les Huguenots, Vasco in L'Africaine, Robert in Robert le diable and Eleazar in La Juive. He excelled in the newer dramatic parts of Radames in Aida, Samson in Samson et Dalila, Alim in Le roi de Lahore and John the Baptist in Hérodiade. Yet, in his younger days, before his voice grew too robust, he was able to negotiate a role as light and graceful as that of Edgardo in Lucia di Lammermoor due to his accomplished mezza-voce singing.
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