Heinrich and Therese Vogl by Frans Hanfstaeng's
Mattia Battistini by Lorens
Paul Franz by Gerschel
Marie Gutheil-Schoder by Szekely
Hansel & Gretel Cast by Atelier Adele
Riccardo Martin by Dupont
Theodor Reichmann by Krziwanek
Alexandra Pavlovna Krutikova by Bergamasco
Feodor Chaliapin by Russian Studio
Maria Gay by Stockmann
Ellen Brandt-Foerster by Szekely
Hedwig Francillo-Kauffmann by Brasch
Paul Aumonier by Studio Lux
Aino Ackte by Unknown
Marguerite Carre by Reutlinger
Olympia Boronat
Marcelle Demougeot autographed
Eugenio Giraldoni
Etienne Gibert
Aino Ackte by unknown
Luisa Tetrazzini
Pierre Francois Villaret by Carjat
Stella de la Mar by Numa Fils
Speranza Engally by Nadar
Desiree Artot by Disderi
Cecile Ritter by Nadar
Jeanne Granier by Nadar
Germaine Gallois by Reutlinger
Marie Van Zandt by Unknown
Louis Henri Oben by Disderi
Louis Alphonse Holtzem by Walter Damry
Louis Alphonse Holtzem by Victoire
Armand Castelmary by Brion & Cie
Armand Castelmary by Brion & Cie
Leon Achard by Carjat & Co
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sasse by Disderi
Marie Sass Autograph 1863
Marie Sasse by Charlet &Jacotin
Christine Nilsson by Pierre Petit
William (Vilmas) Beck by Kalma'r Autographed 1898
Mila Roeder (Rodini) by Unknown
Mila Roeder (Rodani) by Lorscher & Petsch
Lucienne Breval by Felix
See also...
Mily Meyer and Jeanne Granier by Nadar


Meyer as The Duchess and Granier as Duke of Parthenay in "Le Petit Duc" by Lecocq CREATORS 25/1/1878 théâtre de la Renaissance
MILY MEYER
(Émilie Mily Meyer)
(1852-1927)
French Soprano
Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of Le petit duc on 25 January 1878. Creations in La Camargo (1878),[2] Petite Mademoiselle (1879) and Belle-Lurette (1880) swiftly followed
also appeared at the Théâtre des Nouveautés as Kate in the French premiere of Rip and at the Théâtre des Bouffes Parisiens as Bianca in the first run of La Béarnaise in 1885. Also at Théâtre des Variétés was La Princesse de Trébizonde, while at the Théâtre des Folies-Dramatiques she was in the French premiere of Millöcker's La Demoiselle de Belleville (Die Jungfrau von Belleville).
Among many other operettas in which she sang were Roi de Carreau (1885) and Babolin (1884) at the Théâtre des Folies-Dramatiques (November 1884); La vie mondaine (1885) at the Théâtre des Nouveautés, and at the Théâtre des Bouffes Parisiens, La Béarnaise (1885), as Benjamine in Joséphine (1886), Gamine de Paris (1887), Le Retour d'Ulysse (1889), Le mari de la reine (1889), Cendrillonnette (1890) and revivals of Les petits mousquetaires and La Princesse de Trébizonde. Back at the Renaissance, she created La gardeuse d'oies (1888) and La petite Poucette (1891); followed by La Demoiselle du Téléphone (1891) at the Nouveautés, Fleur de Vertu (1894) at the Bouffes, and L'Élève du Conservatoire (1894) at the Théâtre des Menus-Plaisirs.
JEANNE GRANIER
(31 March 1852 – 18 or 19 December 1939) was a French soprano, born and died in Paris,
Granier was a pupil of Madame Barthe-Banderali, studying both opéra-comique and Italian music. Her debut was in 1873 at the Théâtre de la Renaissance, replacing at short notice Louise Théo as Rose Michon in the opening run of La jolie parfumeuse. Thus noticed by Offenbach, she went on to create Giroflé-Girofla (Paris premiere), title role in La Marjolaine, the title role in Le petit duc, Janot, Ninella, Mme le Diable, Belle Lurette and Fanfreluche.
At the Théâtre des Variétés Granier appeared in major roles in revivals of La belle Hélène, Barbe-bleue, and La Grande-Duchesse de Gérolstein. Her other premieres at various Paris theatres included Mlle Gavroche (at the Variétés), Jacquette-Jaquet in La Béarnaise (Bouffes), Therèse in La cigale et la fourmi (Gaité) and Les saturnales (Nouveautés).
MILY MEYER
(Émilie Mily Meyer)
(1852-1927)
French Soprano
Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of Le petit duc on 25 January 1878. Creations in La Camargo (1878),[2] Petite Mademoiselle (1879) and Belle-Lurette (1880) swiftly followed
also appeared at the Théâtre des Nouveautés as Kate in the French premiere of Rip and at the Théâtre des Bouffes Parisiens as Bianca in the first run of La Béarnaise in 1885. Also at Théâtre des Variétés was La Princesse de Trébizonde, while at the Théâtre des Folies-Dramatiques she was in the French premiere of Millöcker's La Demoiselle de Belleville (Die Jungfrau von Belleville).
Among many other operettas in which she sang were Roi de Carreau (1885) and Babolin (1884) at the Théâtre des Folies-Dramatiques (November 1884); La vie mondaine (1885) at the Théâtre des Nouveautés, and at the Théâtre des Bouffes Parisiens, La Béarnaise (1885), as Benjamine in Joséphine (1886), Gamine de Paris (1887), Le Retour d'Ulysse (1889), Le mari de la reine (1889), Cendrillonnette (1890) and revivals of Les petits mousquetaires and La Princesse de Trébizonde. Back at the Renaissance, she created La gardeuse d'oies (1888) and La petite Poucette (1891); followed by La Demoiselle du Téléphone (1891) at the Nouveautés, Fleur de Vertu (1894) at the Bouffes, and L'Élève du Conservatoire (1894) at the Théâtre des Menus-Plaisirs.
JEANNE GRANIER
(31 March 1852 – 18 or 19 December 1939) was a French soprano, born and died in Paris,
Granier was a pupil of Madame Barthe-Banderali, studying both opéra-comique and Italian music. Her debut was in 1873 at the Théâtre de la Renaissance, replacing at short notice Louise Théo as Rose Michon in the opening run of La jolie parfumeuse. Thus noticed by Offenbach, she went on to create Giroflé-Girofla (Paris premiere), title role in La Marjolaine, the title role in Le petit duc, Janot, Ninella, Mme le Diable, Belle Lurette and Fanfreluche.
At the Théâtre des Variétés Granier appeared in major roles in revivals of La belle Hélène, Barbe-bleue, and La Grande-Duchesse de Gérolstein. Her other premieres at various Paris theatres included Mlle Gavroche (at the Variétés), Jacquette-Jaquet in La Béarnaise (Bouffes), Therèse in La cigale et la fourmi (Gaité) and Les saturnales (Nouveautés).
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