Dinh Gilly By Sarony
Leontine Mendes by Benque
Leontine Mendes by Benque
Leontine Mendes by Benque
Alfonso Garulli by Fotographia Bolognese
Giovanni Battista de Negri by Fotographia Bolognes…
Rosa Sucher by E Bieber
Bertha Ehnn By Culig
Fiorello Giraud by Fotographia Artistica
Malvaut by Fernand Lochard
Malvaut by Fernand Lochard (Autograph)
Maria Gay by Esplugas
Alois Ander by Carl Mahlknecht
Karoline von Gompertz-Bettelheim by Miethke & Waw…
Luise Garay- Lichtmay By L Angerer
Unknown by Charles
Wilhelm Gruning by Hoffert
Carl Mayerhofer by Mahlknecht
Vilma Bognar by Mahlknecht
Francesco Tamagno by Falk
Zelia Trebelli by Elliott & Fry
Maria Kouznetsova by ? Paris
Lucienne Breval by Felix
Unknown by Mitkiewizc
Met
Met
Marcella Sembrich by Aime Dupont
Pol Plancon by Aime Dupont
Victor Maurel by Aime Dupont
Victor Maurel by Aime Dupont
Juliette Bilbaut-Vauchelet by Cheri-Rousseau & Gla…
Unknown
Albert Alvarez by Benque
Albert Alvarez by Bary
Albert Alvarez by Bary
Albert Alvarez by Benque
Adelina Patti by L T Neumann
Adelina Patti by H Klee
Marie Gabrielle Krauss by Mahlknecht
Marie Gabrielle Krauss by Mahlknecht
Josephine Gallmeyer by F Wendling
Marie Cabel by a Maze
Eugene Charles Caron By A Maze
Marguerite Carre by Nadar Autographed
Maurice Renaud by Benque
See also...
Henri Sellier By Dupont


Mathos in Salammbô by Reyer Creator at the Théâtre Royal de la Monnaie in Brussels, on 10 February 1890,
(François Alfred Alexander Sellier)
(26 March 1849 - 26 June 1899).
As a young man of very poor ancestry he came to Paris looking for work. When he worked as an errand boy for a merchant his voice was discovered and with financial help he was able to study at the Conservatoire National de Paris. In 1876 he finished his vocal studies by winning the "Prix du Conservatoire". After that he was immediately engaged by the Grand-Opéra, where in 1878 he made his debut as Arnold in Rossini's "Guillaume Tell". Here he created the role of Manoël at the première in Gounod's "Le Tribut de Zamora" (1881) and the role of Paolo at the première of "Françoise de Rimini" by Ambroise Thomas (1882). He was widely admired for the balanced beauty of his tenor voice and the dramatic force of his performance. After a hunting accident he ended his career at the Grand-Opéra in 1888. The season 1889/90 he was engaged at Brussels at "The Théâtre de la Monnaie" , where he created the role of Mathô at the première of Ernest Reyer's opera "Salammbô". The season 1890/91 he was engaged at the Opéra of Marseille and the following years he was engaged by various French provincial theaters.
(François Alfred Alexander Sellier)
(26 March 1849 - 26 June 1899).
As a young man of very poor ancestry he came to Paris looking for work. When he worked as an errand boy for a merchant his voice was discovered and with financial help he was able to study at the Conservatoire National de Paris. In 1876 he finished his vocal studies by winning the "Prix du Conservatoire". After that he was immediately engaged by the Grand-Opéra, where in 1878 he made his debut as Arnold in Rossini's "Guillaume Tell". Here he created the role of Manoël at the première in Gounod's "Le Tribut de Zamora" (1881) and the role of Paolo at the première of "Françoise de Rimini" by Ambroise Thomas (1882). He was widely admired for the balanced beauty of his tenor voice and the dramatic force of his performance. After a hunting accident he ended his career at the Grand-Opéra in 1888. The season 1889/90 he was engaged at Brussels at "The Théâtre de la Monnaie" , where he created the role of Mathô at the première of Ernest Reyer's opera "Salammbô". The season 1890/91 he was engaged at the Opéra of Marseille and the following years he was engaged by various French provincial theaters.
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