Albert Alvarez by Benque
Albert Alvarez by Bary
Albert Alvarez by Bary
Albert Alvarez by Benque
Unknown
Juliette Bilbaut-Vauchelet by Cheri-Rousseau & Gla…
Victor Maurel by Aime Dupont
Victor Maurel by Aime Dupont
Pol Plancon by Aime Dupont
Marcella Sembrich by Aime Dupont
Met
Met
Unknown by Mitkiewizc
Henri Sellier By Dupont
Dinh Gilly By Sarony
Leontine Mendes by Benque
Leontine Mendes by Benque
Leontine Mendes by Benque
Alfonso Garulli by Fotographia Bolognese
Giovanni Battista de Negri by Fotographia Bolognes…
Rosa Sucher by E Bieber
Bertha Ehnn By Culig
Fiorello Giraud by Fotographia Artistica
Adelina Patti by H Klee
Marie Gabrielle Krauss by Mahlknecht
Marie Gabrielle Krauss by Mahlknecht
Josephine Gallmeyer by F Wendling
Marie Cabel by a Maze
Eugene Charles Caron By A Maze
Marguerite Carre by Nadar Autographed
Maurice Renaud by Benque
Marie Thierry by Reutlinger
Maurice Renaud by Benque
Marguerite Carre by Nadar
Leon Ponzio Autograph
Fritz Krenn Autograph
Guy Cazenave Autograph
Anne Williams Autograph
Margaret Lavine Tame Autograph
Edith Helena Autograph
Zelie De Lussan Autograph
Theodor Lattermann Autograph
William Miller Autograph
Julius Lieban Autograph
Henri Albers Autograph
See also...
Adelina Patti by L T Neumann


ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
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