Met
Met
Unknown by Mitkiewizc
Henri Sellier By Dupont
Dinh Gilly By Sarony
Leontine Mendes by Benque
Leontine Mendes by Benque
Leontine Mendes by Benque
Alfonso Garulli by Fotographia Bolognese
Giovanni Battista de Negri by Fotographia Bolognes…
Rosa Sucher by E Bieber
Bertha Ehnn By Culig
Fiorello Giraud by Fotographia Artistica
Malvaut by Fernand Lochard
Malvaut by Fernand Lochard (Autograph)
Maria Gay by Esplugas
Alois Ander by Carl Mahlknecht
Karoline von Gompertz-Bettelheim by Miethke & Waw…
Luise Garay- Lichtmay By L Angerer
Unknown by Charles
Wilhelm Gruning by Hoffert
Carl Mayerhofer by Mahlknecht
Vilma Bognar by Mahlknecht
Pol Plancon by Aime Dupont
Victor Maurel by Aime Dupont
Victor Maurel by Aime Dupont
Juliette Bilbaut-Vauchelet by Cheri-Rousseau & Gla…
Unknown
Albert Alvarez by Benque
Albert Alvarez by Bary
Albert Alvarez by Bary
Albert Alvarez by Benque
Adelina Patti by L T Neumann
Adelina Patti by H Klee
Marie Gabrielle Krauss by Mahlknecht
Marie Gabrielle Krauss by Mahlknecht
Josephine Gallmeyer by F Wendling
Marie Cabel by a Maze
Eugene Charles Caron By A Maze
Marguerite Carre by Nadar Autographed
Maurice Renaud by Benque
Marie Thierry by Reutlinger
Maurice Renaud by Benque
Marguerite Carre by Nadar
Leon Ponzio Autograph
See also...
Marcella Sembrich by Aime Dupont


MARCELLA SEMBRICH
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
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