Ernest Van Dyck by Hoffert
Hermann Winkelmann by Bieber
Adelina Patti by London Sterographic Co
L'Opera
Jean-Baptiste Faure by Erwin
Krauss/Destinn/Dietrich/Parbs
Bellini's " La Sonnambula", 1830's
Mikhail Karakash by Scassiet
Maria Slavina by Photography of Imperial Theatres…
Eugenia Mravina by Photography of Imperial Theatre…
David Yuzhin by Russian Studio Moscow
David Yuzhin by Fisher Moscow
Meyriane Heglon-Leroux by Reutlinger
Rose Caron by Benque
Juliette By Ulrich Grob
Joachim Tartakov by Russian studio
Marguerite Priola by Maunoury
L N Bragina by Russian studio
Andrei Labinski by Russian studio
Pyotr Lodiy by Russian studio
Paola Marie by Reutlinger
Therese Tietjens by Stereoscope Co
Therese Vogl by Mathaus
Marcella Sembrich by Aime Dupont
Manru
Marcella Sembrich by Aime Dupont
Sybil Sanderson by Reutlinger
Sybil Sanderson by Benque
Marie Roze by Unknown
Marie Roze by Mora
Maurice Renaud by Benque
Carlotta Patti by Unknown
Adelina Patti by Mora Autographed ??
Victor Maurel by Aime Dupont
Clara Louise Kellogg by Sarony
Riccardo Martin by Aime Dupont
Marcel Journet by Aime Dupont
Jean Lassalle by Falk
Johanna Gadski by Aime Dupont
Marie Heilbronn by Benque
Emma Eames by Falk
Jean De Reszke by Issoire
Jean De Reszke by Aime Dupont
Jean De Reszke by Mieczkowski
Jean De Reszke by Aime Dupont
See also...
Sofia Scalchi by Elliott & Fry


SOFIA SCALCHI
(November 29, 1850 – August 22, 1922)
Italian Contralto/Mezzo
Studied voice with Augusta Boccabadati. In 1866, she made her stage debut in Mantua as Ulrica in Giuseppe Verdi's " Un Ballo in Maschera ".
At the Royal Opera House, Covent Garden, on November 5, 1868, she made her London debut as Azucena in "Il trovatore," also by Verdi. She appeared with the Covent Garden company thereafter until 1890, performing most of the standard lower-pitched female operatic roles. These included Urbain, Amneris and Arsarce, among others. Meanwhile, in 1882-83, she toured the United States for the first time, singing on that occasion with Mapleson's company. She did, however, take part in a number of important American premieres, including those of Verdi's last two masterpieces, Otello and Falstaff. She appeared, too, in the initial American productions of Amilcare Ponchielli's La Gioconda and Umberto Giordano's Andrea Chénier.
(November 29, 1850 – August 22, 1922)
Italian Contralto/Mezzo
Studied voice with Augusta Boccabadati. In 1866, she made her stage debut in Mantua as Ulrica in Giuseppe Verdi's " Un Ballo in Maschera ".
At the Royal Opera House, Covent Garden, on November 5, 1868, she made her London debut as Azucena in "Il trovatore," also by Verdi. She appeared with the Covent Garden company thereafter until 1890, performing most of the standard lower-pitched female operatic roles. These included Urbain, Amneris and Arsarce, among others. Meanwhile, in 1882-83, she toured the United States for the first time, singing on that occasion with Mapleson's company. She did, however, take part in a number of important American premieres, including those of Verdi's last two masterpieces, Otello and Falstaff. She appeared, too, in the initial American productions of Amilcare Ponchielli's La Gioconda and Umberto Giordano's Andrea Chénier.
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