Juliette By Ulrich Grob
Joachim Tartakov by Russian studio
Marguerite Priola by Maunoury
L N Bragina by Russian studio
Andrei Labinski by Russian studio
Pyotr Lodiy by Russian studio
Paola Marie by Reutlinger
Therese Tietjens by Stereoscope Co
Therese Vogl by Mathaus
Gabrielle Krauss by Benque
Jenny Lind
Harriett Waylett
Jean- Baptiste Faure by Reutlinger
Leon Gresse by Dupont
Victor Capoul & Marie Rey by Nadar
Jean-Alexandre Talazac and Adele Isaac, by Benque
Marie Van Zandt by Benque
Jean Lassalle by Benque
Jean Lassalle & Marie Gabrielle Krauss by Benque
Marie Gabrielle Krauss & Josephine Daram by Benqu…
Henry Sellier by Carjat
Josephine De Reszke by Pierre Petit
Mily Meyer by Chalot
Meyriane Heglon-Leroux by Reutlinger
David Yuzhin by Fisher Moscow
David Yuzhin by Russian Studio Moscow
Eugenia Mravina by Photography of Imperial Theatre…
Maria Slavina by Photography of Imperial Theatres…
Mikhail Karakash by Scassiet
Bellini's " La Sonnambula", 1830's
Krauss/Destinn/Dietrich/Parbs
Jean-Baptiste Faure by Erwin
L'Opera
Adelina Patti by London Sterographic Co
Hermann Winkelmann by Bieber
Ernest Van Dyck by Hoffert
Sofia Scalchi by Elliott & Fry
Marcella Sembrich by Aime Dupont
Manru
Marcella Sembrich by Aime Dupont
Sybil Sanderson by Reutlinger
Sybil Sanderson by Benque
Marie Roze by Unknown
Marie Roze by Mora
Maurice Renaud by Benque
See also...
Rose Caron by Benque


As Brunhild in "Sigurd" by Reyer CREATOR Théatre de la Monnaie in Brussels on 7 January 1884
ROSE CARON (Rose Lucile MEUNIER). -Soprano (91.Monnerville, 17 November 1857 - April 09, 1930).
Studied at the Paris Conservatoire, but was not taken on at the Paris Opera; her husband, an accompanist, encouraged her to take lessons from Marie Sasse who helped her to get engagements at the opera in Brussels (having made her concert debut in 1880)
First operatic appearance in Brussels was as Alice in Meyerbeer's" Robert le Diable", followed by Salomé in Massenet's Hérodiade and Marguerite in Gounod's Faust; noticed by Ernest Reyer, he chose her to create the role of Brunehild in Sigurd in 1884 (and the Paris premiere in 1885). The title roles in Benjamin Godard's Jocelyn (1888) and Reyer's Salammbo (1890) and were also created by Caron in Brussels .In 1885 she began singing at the Paris Opera, Also other roles "LOHENGRIN "(Elsa), "SALAMMBÔ" Salammbô), "Die WALKÜRE" (Sieglinde), "DJELMA "(Djelma), "HELLE " (Helle) and OTHELLO (Desdemona), LA JUIVE (Rachel), LE CID (Chimène), LES HUGUENOTS (Valentine), HENRY VIII (Catherine), FAUST (Marguerite), LE FREISCHÜTZ (Agathe), in 1895 in TANNHÄUSER (Elisabeth), in 1896 in DON JUAN (Doña Anna) and the APOTHEOSIS of BEETHOVEN in 1886 in 1909 Fourth Symphony).
ROSE CARON (Rose Lucile MEUNIER). -Soprano (91.Monnerville, 17 November 1857 - April 09, 1930).
Studied at the Paris Conservatoire, but was not taken on at the Paris Opera; her husband, an accompanist, encouraged her to take lessons from Marie Sasse who helped her to get engagements at the opera in Brussels (having made her concert debut in 1880)
First operatic appearance in Brussels was as Alice in Meyerbeer's" Robert le Diable", followed by Salomé in Massenet's Hérodiade and Marguerite in Gounod's Faust; noticed by Ernest Reyer, he chose her to create the role of Brunehild in Sigurd in 1884 (and the Paris premiere in 1885). The title roles in Benjamin Godard's Jocelyn (1888) and Reyer's Salammbo (1890) and were also created by Caron in Brussels .In 1885 she began singing at the Paris Opera, Also other roles "LOHENGRIN "(Elsa), "SALAMMBÔ" Salammbô), "Die WALKÜRE" (Sieglinde), "DJELMA "(Djelma), "HELLE " (Helle) and OTHELLO (Desdemona), LA JUIVE (Rachel), LE CID (Chimène), LES HUGUENOTS (Valentine), HENRY VIII (Catherine), FAUST (Marguerite), LE FREISCHÜTZ (Agathe), in 1895 in TANNHÄUSER (Elisabeth), in 1896 in DON JUAN (Doña Anna) and the APOTHEOSIS of BEETHOVEN in 1886 in 1909 Fourth Symphony).
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