Marie Heilbronn by Benque
Johanna Gadski by Aime Dupont
Jean Lassalle by Falk
Marcel Journet by Aime Dupont
Riccardo Martin by Aime Dupont
Clara Louise Kellogg by Sarony
Victor Maurel by Aime Dupont
Adelina Patti by Mora Autographed ??
Carlotta Patti by Unknown
Maurice Renaud by Benque
Marie Roze by Mora
Marie Roze by Unknown
Sybil Sanderson by Benque
Sybil Sanderson by Reutlinger
Marcella Sembrich by Aime Dupont
Manru
Marcella Sembrich by Aime Dupont
Sofia Scalchi by Elliott & Fry
Ernest Van Dyck by Hoffert
Hermann Winkelmann by Bieber
Adelina Patti by London Sterographic Co
L'Opera
Jean-Baptiste Faure by Erwin
Jean De Reszke by Issoire
Jean De Reszke by Aime Dupont
Jean De Reszke by Mieczkowski
Jean De Reszke by Aime Dupont
Edouard De Reszke & Jean De Reszke by Benque
Le Cid . Metropolitan Opera .8th February 1901
Zelie De Lussan by C F Conley
Edouard De Reszke by Aime Dupont
Tosca, 25 January 1907 , Metropolitan Opera
Lina Cavalieri by Reutlinger
Guiseppe Campanari by Aime Dupont
Annie Louise Cary by H Rocher
Emma Calve by Falk
Emma Calve by Falk
Albert Alvarez by Aime Dupont
Alessandro Bonci by Aime Dupont
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
See also...
Emma Eames by Falk


as Amelia in "Un Ballo un Maschera" by Verdi
EMMA EAMES
(August 13, 1865 - June 13, 1952)
American Soprano
Eames was born in Shanghai, China and raised in Portland and Bath in the American state of Maine.She attended school in Boston where she studied singing with Charles R. Adams.Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto sopranos, Mathilde Marchesi.
Eames made her professional operatic debut in Gounod's Roméo et Juliette at the Paris Opéra's headquarters, the Palais Garnier, in 1889. She would perform the role of Juliette many other times during the next two years, while adding other leading French-opera parts to her repertoire. As early as November 1889, The Times newspaper called her "the favourite cantatrice of the Opera". She left the company in 1891, however, for personal reasons. Towards the end of 1891, Eames debuted at the Metropolitan Opera in New York City in her trademark part of Juliette, and she quickly became a favourite with Met audiences. She would perform regularly at the Met in a variety of operas until 1909, when a dispute with management precipitated her departure. Eames also made a number of successful appearances at London's Royal Opera House, Covent Garden. She sang there intermittently from 1891 to 1901 and established herself as a genuine rival to Covent Garden's reigning diva, Nellie Melba, whom she heartily disliked. Eames also sang in Madrid and fulfilled lucrative singing engagements at Monaco's chic Monte Carlo Opera during the 1890s.
In 1906, Eames visited San Francisco with a touring troupe of leading Met singers. She was fortunate to survive unscathed when a devastating earthquake and fire struck the city, damaging her hotel. Eames gave her farewell operatic performances during the 1911-12 seasons with the Boston opera company. She then undertook a series of concert tours of the United States
EMMA EAMES
(August 13, 1865 - June 13, 1952)
American Soprano
Eames was born in Shanghai, China and raised in Portland and Bath in the American state of Maine.She attended school in Boston where she studied singing with Charles R. Adams.Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto sopranos, Mathilde Marchesi.
Eames made her professional operatic debut in Gounod's Roméo et Juliette at the Paris Opéra's headquarters, the Palais Garnier, in 1889. She would perform the role of Juliette many other times during the next two years, while adding other leading French-opera parts to her repertoire. As early as November 1889, The Times newspaper called her "the favourite cantatrice of the Opera". She left the company in 1891, however, for personal reasons. Towards the end of 1891, Eames debuted at the Metropolitan Opera in New York City in her trademark part of Juliette, and she quickly became a favourite with Met audiences. She would perform regularly at the Met in a variety of operas until 1909, when a dispute with management precipitated her departure. Eames also made a number of successful appearances at London's Royal Opera House, Covent Garden. She sang there intermittently from 1891 to 1901 and established herself as a genuine rival to Covent Garden's reigning diva, Nellie Melba, whom she heartily disliked. Eames also sang in Madrid and fulfilled lucrative singing engagements at Monaco's chic Monte Carlo Opera during the 1890s.
In 1906, Eames visited San Francisco with a touring troupe of leading Met singers. She was fortunate to survive unscathed when a devastating earthquake and fire struck the city, damaging her hotel. Eames gave her farewell operatic performances during the 1911-12 seasons with the Boston opera company. She then undertook a series of concert tours of the United States
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