Carlotta Patti by Unknown
Maurice Renaud by Benque
Marie Roze by Mora
Marie Roze by Unknown
Sybil Sanderson by Benque
Sybil Sanderson by Reutlinger
Marcella Sembrich by Aime Dupont
Manru
Marcella Sembrich by Aime Dupont
Sofia Scalchi by Elliott & Fry
Ernest Van Dyck by Hoffert
Hermann Winkelmann by Bieber
Adelina Patti by London Sterographic Co
L'Opera
Jean-Baptiste Faure by Erwin
Krauss/Destinn/Dietrich/Parbs
Bellini's " La Sonnambula", 1830's
Mikhail Karakash by Scassiet
Maria Slavina by Photography of Imperial Theatres…
Eugenia Mravina by Photography of Imperial Theatre…
David Yuzhin by Russian Studio Moscow
David Yuzhin by Fisher Moscow
Meyriane Heglon-Leroux by Reutlinger
Victor Maurel by Aime Dupont
Clara Louise Kellogg by Sarony
Riccardo Martin by Aime Dupont
Marcel Journet by Aime Dupont
Jean Lassalle by Falk
Johanna Gadski by Aime Dupont
Marie Heilbronn by Benque
Emma Eames by Falk
Jean De Reszke by Issoire
Jean De Reszke by Aime Dupont
Jean De Reszke by Mieczkowski
Jean De Reszke by Aime Dupont
Edouard De Reszke & Jean De Reszke by Benque
Le Cid . Metropolitan Opera .8th February 1901
Zelie De Lussan by C F Conley
Edouard De Reszke by Aime Dupont
Tosca, 25 January 1907 , Metropolitan Opera
Lina Cavalieri by Reutlinger
Guiseppe Campanari by Aime Dupont
Annie Louise Cary by H Rocher
Emma Calve by Falk
Emma Calve by Falk
See also...
Adelina Patti by Mora Autographed ??


ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
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