Martin M. Miles' photos with the keyword: cripple

Zamora straddles the Douro River. The Romans named the settlement "Occelum Durii" ("Eye of the Duero"). For the Visigoths, the place was "Semure". In the 710s the town was conquered and a Berber garrison was left in there, but some decades later it was seized by Alfonso I of Asturias. A diocese was established in the town in the early 10th century. Ibn al-Qitt unsuccessfully tried to invade the city in 901, Almanzor eventually seized the city in 966. The place returned to Christian control during the reign of Alfonso V of León. Since the early 11th century the place saw planned repopulating efforts. City walls were also erected in the 11th century. The most notable historical episode in Zamora was the assassination outside the city walls of the King Sancho II of Castile in 1072. Ferdinand I of León had divided his kingdoms between his three sons. To his daughter Urraca, he had bequeathed Zamora. All three sons warred among themselves, till the ultimate winner, Sancho, was left victorious. Zamora, under his sister who was allied with Leonese nobles, resisted. Sancho II of Castile, assisted by El Cid, laid siege to Zamora. King Sancho II was murdered by Bellido Dolfos, a duplicitous noble of Zamora, Bellido Dolfos. After the death of Sancho, Castile reverted to his deposed brother Alfonso VI of León. Zamora is known for its medieval heritage. There are more than a dozen Romanesque churches and chapels. The Zamora Cathedral was built under Bishop Esteban of the Diocese of Zamora, under the patronage of Alfonso VII and his sister, Sancha Raimúndez. The date of construction (1151–1174) is traditionally attested by an inscription on the northern side of the transept, although recent discoveries have proven that the church had already begun in 1139. The cathedral was consecrated in 1174 and works continued. The cloister and the bell tower date to the first half of the 13th century. Detail of a Gothic altar. The painting shows a bishop presenting a reliquary. On the left a cripple, lying paralyzed with hand crutches.

In 1927, which is quite recent, the town "Borgo San Donnino" changed its name to "Fidenza" as it was known as "Fidentia Julia" in Roman times. The city was given its name and the Duomo within the walls was dedicated to San Donnino di Fidenza (aka 'Donninus of Fidenza'), who was martyred nearby in 291. A legend tells, that when Charlemagne passed through "Borgo San Donnino", an angel told him, where to dig for San Donnino´s relics. He is connected to the city and the duomo. Sigeric the Serious, Archbishop of Canterbury, made a pilgrimage to Rome on the Via Francigena around 990. His contemporary accounts of this voyage still exist (and are the source of modern guidebooks). He reached "Sce Domnine" after 36 days, which is pretty fast for 1000+ km. Frederick Barbarossa had entrusted "Borgo San Donnino" to the Pallavicino family from Piacenza. In 1268, after a siege, the city was conquered by the troops of Parma, who plundered and burned it completely. All houses were destroyed at that time, only the unfinished Duomo was saved. The erection of the Cattedrale di San Donnino had started in the 11th century, the first consecration took place in 1106, though the building process continued. From around 1200 on Master Benedetto Antelami and his workshop worked here, not only as Master masons. Antelami may as well be the architect of the facade. There are reliefs in the church telling the story of Saint Doninnos, a cephalopore bearing his severed head. Left he is called by an angel during a nap, right is healing a cripple.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek, and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace, and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting he build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendor of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The interior is breathtaking, but as the cathedral is about 100 m long, there are distances here, not like inside the "Capella Palatina", where all the mosaics are so "near" - plus the visitors can sit down here - and gaze. It is overwhelming. Here are more than 6000m² of byzantine mosaics. The sides of the nave show many very strong parallels to the Cappella Palatina. Here and there probably the same workshop. Probably a large, maybe even a generation-spanning studio of Byzantine artists. Jesus is healing crippled persons.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The interior is breathtaking, but as the cathedral is about 100 m long, there are distances here, not like inside the "Capella Palatina", where all the mosaics are so "near" - plus the visitors can sit down here - and gaze. It is overwhelming. Here are more than 6000m² of byzantine mosaics. The sides of the nave show many very strong parallels to the Cappella Palatina. Here and there probably the same workshop. Probably a large, maybe even a generation-spanning studio of Byzantine artists. Jesus healing crippled persons. Mark 1.32-34 "That evening after sunset the people brought to Jesus all the sick and demon-possessed. The whole town gathered at the door, and Jesus healed many who had various diseases."

Marburg developed at the crossroads of two important medieval routes. The settlement was protected by a small castle built during the ninth or tenth century. Since 1140 Marburg has been a town, owned by the Landgraves of Thuringia, residing on the Wartburg above Eisenach. In 1228, the widowed Elizabeth of Hungary (aka Elizabeth of Thuringia), chose Marburg as her dowager seat. The countess dedicated her life to the sick and would become after her early death in 1231, aged 24, one of the most prominent female saints of the era. She was canonized already in 1235. Marburg was a provincial town in Hesse, known for the University, the oldest Protestant-founded university in the world, founded in 1527. In 1529, Philipp I of Hesse arranged the "Marburg Colloquy", to propitiate Martin Luther and Huldrych Zwingli. St. Elisabeth had founded a hospital here in 1228, where she cared for sick and needy people until her death. She was buried in the hospital chapel. Immediately began a pilgrim's stream and numerous miracles of healing were witnessed. In honour of St. Elizabeth the Elisabethkirche ("St. Elizabeth's Church") was built by the Order of the Teutonic Knights. The church is one of the earliest purely Gothic churches in German-speaking areas, and is held to be a model for the architecture of Cologne Cathedral. The church was consecrated in 1283. The work on the two towers continued until 1340. In 1539, Landgrave Philip had the bones of St. Elizabeth removed to set a mark against the cult of the relics, almost all of the formerly Catholic friars converted to Protestantism. Part of the originally rich figure jewelry got removed. In the left transept was the grave of St. Elizabeth over which this mausoleum was erected, a canopy over the coffin, that stood here until 1249. What happened just after (or even shortly before) St. Elisabeth died, just 25 years old, is a cruel story. As she was venerated as a saint already during her lifetime, pious people (and relic merchants) are said to have literally pounced on the corpse. They tore pieces from their shroud, cutting off nails, hair and even her ears. Then the corpse was "officialy" cut in pieces, flesh and boned got separated, put into reliquaries and stored in the coffin. St. Elizabeth´s deathbed is depicted on the front of the mausoleum. Two angels carry the soul up, where God and saints are already waiting for her. Below her deathbed are four mourning persons. Here is one if them: a crippled man, moving on crutches. This typ of crutches was widely used by lame persons in medieval times, see PiP.

Marburg developed at the crossroads of two important medieval routes. The settlement was protected by a small castle built during the ninth or tenth century. Since 1140 Marburg has been a town, owned by the Landgraves of Thuringia, residing on the Wartburg above Eisenach. In 1228, the widowed Elizabeth of Hungary (aka Elizabeth of Thuringia), chose Marburg as her dowager seat. The countess dedicated her life to the sick and would become after her early death in 1231, aged 24, one of the most prominent female saints of the era. She was canonized already in 1235. Marburg was a provincial town in Hesse, known for the University, the oldest Protestant-founded university in the world, founded in 1527. In 1529, Philipp I of Hesse arranged the "Marburg Colloquy", to propitiate Martin Luther and Huldrych Zwingli. St. Elisabeth had founded a hospital here in 1228, where she cared for sick and needy people until her death. She was buried in the hospital chapel. Immediately began a pilgrim's stream and numerous miracles of healing were witnessed. In honour of St. Elizabeth the Elisabethkirche ("St. Elizabeth's Church") was built by the Order of the Teutonic Knights. The church is one of the earliest purely Gothic churches in German-speaking areas, and is held to be a model for the architecture of Cologne Cathedral. The church was consecrated in 1283. The work on the two towers continued until 1340. In 1539, Landgrave Philip had the bones of St. Elizabeth removed to set a mark against the cult of the relics, almost all of the formerly Catholic friars converted to Protestantism. Part of the originally rich figure jewelry got removed. In the left transept was the grave of St. Elizabeth over which this mausoleum was erected, a canopy over the coffin, that stood here until 1249. What happened just after (or even shortly before) St. Elisabeth died, just 25 years old, is a cruel story. As she was venerated as a saint already during her lifetime, pious people (and relic merchants) are said to have literally pounced on the corpse. They tore pieces from their shroud, cutting off nails, hair and even her ears. Then the corpse was "officialy" cut in pieces, flesh and boned got seperated, put into reliquaries and stored in the coffin. St. Elizabeth´s deathbed is depicted on the front of the mausoleum. Two angels carry the soul up, where God and saints are already waiting for her. Below her deathbed are four mourning persons. Below her deathbed are four mourning persons: a man in chains, a poor beggar and two cripples with their crutches.

St. Peter (aka "Fritzlarer Dom") is tightly connected to Saint Bonifatius. the most important christian missionary in the east of the Frankish Kingdom, preaching the gospel to the germanic tribes. The "Vita sancti Bonifati", written only some decades after his martyrdom in 755, tells, that Saint Bonitatius came to this place and chopped down a sacred oak, dedicated to the pagan god Thor (Donar). All onlookers were waiting for Thor´s fierce reaction, but Thor did not care. After the felling Saint Bonifatius used the timber - and had a wooden church built here. There is a statue in front of the church, that shows Bonifatius standing on the stub of a oak, holding a huge axe. He founded a monastery nearby and named Saint Wigbert the first abbot. Saint Wigbert replaced the humble wooden structure by a prestigious stone one. This was probably the church that archeologists found traces of. It dates back to the end of the 8th century. Times were hard, in 774 pagan Saxons destroyed the abbey, but the stone church (23 meters.long), obviously withstook the attacs. But the Saxons returned in 1079 - and this time, they looted and destroyed the abbey, the church and the settlement. The building of a three nave, flat roofed basilica started 1085/1090 and was completed in 1118. It was an impressing large church with an extensive westwork, but already in 1171 the visiting Archbishop found the structure in such a bad state, the he commisioned a "rebuilding", what, as the romanesque style had changed created a "new church". Nowadays many architectural styles can be found here, as architects and builders were busy all the time. Here another capital from the interior of the narthex ("Paradies), that was added before between 1253 -1267. This hall was used as a chapel and as a law court in that times. When I saw this capital (and took the photo) I "underestimated" it. I just saw a strange figure, damaged edges. I did not take a closer look or take more photos. Meanwhile I tried to find information about this carving, but Gottfried Kiesow does not even mention these capitals in his book "Romanik in Hessen". The artistic style differs clearly from that elaborate carving of the capital just seen. In the center is a cripple with a huge head and a short round body. He has one long and one short leg. His arms are (compared to the body) way too long and his hands hold wooden blocks, that he uses to move. Around his neck is a kind of bag. One the right edge a large head - and two thin, rope-like arms. An animal (further right) bites into the elbow.

Stift Millstatt ("Millstatt Abbey") was founded by the Aribo II and Boto, members of Aribonids, a noble, Bavarian family, around 1070. Run by Benedictine monks and protected by Papal deeds Stift Millstatt prospered in the early years and a nunnery was added. Within the 13th century, the decay began. As the abbey had secular Church Vogts, it suffered strongly under the political powergames of that timne and finaly ended 1456 under the House of Habsburg. At that time only 10 monks still lived here. Emperor Frederick III reached a papal bull in 1469, so that the military order of the Knights of Saint George took over Stift Millstatt in order to fight the invading troops of the Ottoman Empire. The order now had to cope with the debts left by the Benedictines and the redevelopment of the neglected premises. While the knights were engaged with the fortification of the monastery, they failed to protect the region. Millstatt was heavily devastated by the Turks in 1478, followed by Hungarian troops in 1487. As the power of the knightly order declined, unrests and revolts arose among the surrounding peasants. As the new Protestant belief spread in the area the monastery vested the Society of Jesus ("Jesuits") in 1598 to support the Counter-Reformation. The monks were disliked by the population for their stern measures. In 1737 the displeasure culminated in open revolt, when peasants ganged up and stormed the monastery. The rule of the Jesuits ended, when the order was suppressed by Pope Clement XIV in 1773. The monks had to leave Millstatt. Today the former abbey-church serves the parish, while the other buildings belong to the Austrian state and host the "Österreichische Bundesforste" (Austrian State Forestry Commission). The western side, the towers and the magnificent Romanesque funnel portal were created under abbot Heinrich I (1166 - 1177). The church underwent numerous alterations over the centuries. It did not only suffer from fires, but as well from earthquakes. A strong quake in 1690 heavily damaged the western facade. The repair took more than four years. The lintel under the tympanum at that time broke in four pieces (note the iron clamps). The Jesuits then covered the tympanum with plaster - and it stayed hidden until 1878. This is the base of one of the side pillars. Depicted is a cripple who moves in using crutches. There is something "behind" the young man (?). Are there beasts/dragons on his shoulders. Are more cripples behind him. There seems to be a rope around his stomach..

In 1043 Hemma of Gurk (canonized in 1938) founded the Benedictine double monastery of Gurk Abbey, where she withdrew during the last years of her life. After Saint Hemma´s death, the abbey was dissolved by the Archbishop of Salzburg, who instead set up the Diocese of Gurk-Klagenfurt in 1072. The "Gurk Cathedral" is a large Romanesque basilica, built 1140 - 1220. The crypt got consecrated already in 1174 and since then hosts the grave of Saint Hemma of Gurk, still a place of pilgrimage. Six such carvings, dated 1500/1510, are located along the nave. They tell the visitors legends and stories connected Hemma of Gurk´s vita. Here it is shown, that after Hemma´s death on the "Feast of Saints Peter and Paul" (29.06.) in 1045 she was buried in the church of Gurk. Many miracles did happen there - and numerous sick and crippled pilgrims headed to the grave.

Romeno is a small village in the Val di Non. The small church, outside the village, is surrounded by orchards. It may date back to the 8th century, though it was mentioned first time in 1187. Soon after the interior walls of Santi Bartolomeo e Tommaso were adorned with murals. Some of the frescoes (dated to 1210) still exist. Here are the Magi approaching Bethlehem (Mary´s blanket is seen above them). On the right is a crippled beggar (and St. Martin?). The cripple uses a small stool-like crutch, that can often be seen in medieval times. This church is open for visitors even in March! Grazie!!

The former collegiate church Saint-Aignan was built from the early 11th to the early 13th century, so there is a transition from Romanesque to early Gothic style. The church replaced a chapel from the 9th century and was a center of pilgrimage, as the relics of Saint Aignan of Orlean (+ 453) were venerated here. The church was ruined for a long time and got renovated and restored during the 19th century. During the renovation of the nave at least some parts got recreated. Fortunately the ambulatory crypt, the oldest part of the collegiate church Saint-Aignan, got not renovated like the nave. It stayed pretty much intact and has frescoes dating back to the 12th and 13th century. A detail from the left side of the large Christ Pantocrator (see previous upload). Two pilgrims on their way. The person to the right is crippled, he has no legs.

The Basilica Saint-Julien in Brioude was a collegiate church constructed between 1060 - 1200. The architectoral structure is influenced by great romanesque churches like "Notre-Dame-Du-Port" in Clermont-Ferrand (70kms north) or "Saint-Austremoine" in Issoire (30kms north), planned and constructed within the same century. Three or four very skilled architects worked here over the century, all witrh a different touch. So Saint-Julien is really special, as it differs from the other great churches of the Auvergne. Brioude was a center of pilgrimage very early, as already within the 4th century a "martyrion" existed over the grave of St. Julien. This building was replaced by an early basilica, financed by Victorius, a "comes" (count), installed by the Visigothic king Eurich after he had seized the Auvergne. Gregory of Tours (538-594 visited and described it, when he about a pilgrimage to Saint-Julien undertaken yearly from Avernis (= Clermont-Ferrand) to Brioude. Within the 10th century William I, Duke of Aquitaine, (aka "Guillaume Le Pieux" - "William the Pious") funded the building of a larger church here. He got buried in this church in 917. Around 1060, works on the church still seen today started with the narthex. It took about 140 years, to complete it - and was a stopover at that time for many pilgrims to Santiago, only two days (60kms) away from Le Puy (Via Podensis). There are about 125 capitals and carvings inside Saint-Julien and they all differ in artistic style and quality. Bernard Craplet has found six (!) different workshops, what is not that surprising taking in account that it took more than a century to finish this building. None of the capitals of the nave depicts a biblical theme. Another "ape/man/rope" capital, but this differs from all the other seen so far within the Auvergne (Droiturier, Besse, Issoire, Thuret, Saint-Nectaire, Clermont-Ferrand, Mozac...). Not the ape on the rope, called "singe cordé" in French, is so much different, but everything around adds some new spice. Left to the ape stands a man, described by B. Craplet having a "praying gesture". I think, this is a more like a greeting gesture ("Hi"). It is a rough carving, this person may be naked, his legs may be swollen, as if he would suffer from elephantiasis (not a medieval but a tropical disease). I see kind of a cripple, displayed in public (later done in "Freakshows"). I may be wrong, and B. Craplet is right, who wrote, that this capital is from mediocre workmanship. Any way, there is the ape on the rope - and a "strange person" on the left. To the right a very decorative tree, but taking a closer look makes clear, these are two trees. Futher right the man holding the rope, probably the owner of the "beast" - and further right, the "show" goes on...