Martin M. Miles' photos with the keyword: Labours of the Months

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. Otranto had been one of the last Byzantine strongholds in Apulia, but finally, Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent on the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so-long (Byzantine) Orthodox Christians. One was to erect a huge church. The Otranto Cathedral, seen in the center, was erected over the ruins of a Paleochristian church from 1080 on and was consecrated in 1088. It is 54 meters long by 25 meters wide and is built on 42 monolithic granite and marble columns. I had returned to Otranto to see the unbelievable, breathtaking mosaic again. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometers south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. The "Labours of the Months", are hidden under the bensches. April. As I have uploaded so many photos taken in Otranto already, I will upload now only a few. If you want to see more click here: www.ipernity.com/doc/323415/album/1333378

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. Otranto had been one of the last Byzantine strongholds in Apulia, but finally, Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent on the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so-long (Byzantine) Orthodox Christians. One was to erect a huge church. The Otranto Cathedral, seen in the center, was erected over the ruins of a Paleochristian church from 1080 on and was consecrated in 1088. It is 54 meters long by 25 meters wide and is built on 42 monolithic granite and marble columns. I had returned to Otranto to see the unbelievable, breathtaking mosaic again. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometers south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. The "Labours of the Months", are hidden under the bensches. February and March. As I have uploaded so many photos taken in Otranto already, I will upload now only a few. If you want to see more click here: www.ipernity.com/doc/323415/album/1333378

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. Santa Sofia was founded by the Lombard Arechis II of Benevento around 760. The church is a rotunda 28 m in diameter with an original star-shaped outline. The church was modeled on the Palatine Chapel of the Lombard king Liutprand in Pavia and, after the defeat of Desiderius by Charlemagne and the fall of the Lombard kingdom in northern Italy in 774, it became the national church of the Lombards who had taken shelter in the Duchy of Benevento. After the earthquakes of 1688 and 1702, Pope Benedict VIII had the church rebuilt, changing it in the Baroque style. In particular, he had the course of the outer walls made circular. Santa Sofia included a monastery built between 1142 and 1176. Parts of the previous building from the 8th century, which was destroyed in the earthquake of 986, were reused. These buildings now house the Museo del Sannio. Its most remarkable part is the Romanesque cloister, which clearly shows Arabic influences. The "Labours of the Months": October and November

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals. The central nave has twelve medallions depicting the "Labours of the Months" (and the zodiacs) with scenes the rural activities that commonly took place in the months of the year. This is the area where the benches for the parishioners are placed, so some are only partly visible. July - October - November

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals. The central nave has twelve medallions depicting the "Labours of the Months" (and the zodiacs) with scenes the rural activities that commonly took place in the months of the year. This is the area where the benches for the parishioners are placed, so some are only partly visible. January - March - April

A monastery had been here since the 6th century, dedicated to the martyr St. Valerian, whose grave is in the crypt. It got raided by the Maurs and in 875 Charles the Bald offered the abbey to a group of homeless of monks from Normoutier as their monastery had been destroyed by the Normans. These monks carried the relics of St. Philibert with them, so for a while the abbey was shared by two communities, each dedicated to their own saint. After Hungarian troops had damaged the buildings in 936-37, the church got rebuild in the form we know it today. The construction lasted from the late 10th century to the early 12th century. It was consecrated in 1019, when it had a flat, wooden ceiling. A stone vault replaced the wooden ceiling in 1066-1108. I had been here many times before (and uploaded lots of photos) over the years, but I just had to stop - and take more shots. During excavations the remains of a larger mosaic from the 12th century was found. Seen are the zodiacs and the "Labours of the Months". Gemini

A monastery had been here since the 6th century, dedicated to the martyr St. Valerian, whose grave is in the crypt. It got raided by the Maurs and in 875 Charles the Bald offered the abbey to a group of homeless of monks from Normoutier as their monastery had been destroyed by the Normans. These monks carried the relics of St. Philibert with them, so for a while the abbey was shared by two communities, each dedicated to their own saint. After Hungarian troops had damaged the buildings in 936-37, the church got rebuild in the form we know it today. The construction lasted from the late 10th century to the early 12th century. It was consecrated in 1019, when it had a flat, wooden ceiling. A stone vault replaced the wooden ceiling in 1066-1108. I had been here many times before (and uploaded lots of photos) over the years, but I just had to stop - and take more shots. During excavations the remains of a larger mosaic from the 12th century was found. Seen are the zodiacs and the "Labours of the Months". IUNIUS

A monastery had been here since the 6th century, dedicated to the martyr St. Valerian, whose grave is in the crypt. It got raided by the Maurs and in 875 Charles the Bald offered the abbey to a group of homeless of monks from Normoutier as their monastery had been destroyed by the Normans. These monks carried the relics of St. Philibert with them, so for a while the abbey was shared by two communities, each dedicated to their own saint. After Hungarian troops had damaged the buildings in 936-37, the church got rebuild in the form we know it today. The construction lasted from the late 10th century to the early 12th century. It was consecrated in 1019, when it had a flat, wooden ceiling. A stone vault replaced the wooden ceiling in 1066-1108. I had been here many times before (and uploaded lots of photos) over the years, but I just had to stop - and take more shots. During excavations the remains of a larger mosaic from the 12th century was found. Seen are the zodiacs and the "Labours of the Months".

Augustodunum (today Autun) was founded during the reign of Augustus, after whom it was named. It was an important settlement, the Roman theather, partly unearthed, could seat about 15.000 people, there is a Roman temple, walls... But it is the Cathédrale Saint-Lazare and the wonderful carvings, that made me return again and again. There had been a church here earlier, that was just too small, when Autun became a center of pilgrimage, after relics of St. Lazarus were kept here since about 970. Just like Vezelay, 90kms north, where the relics of St. Lazarus´ sister St. Maria Magdalena were kept at that time. In 1120 it was decided to construct this larger and more suitable cathedral. At that time this construction was influenced by Cluny III, that was a little older. After severe damage during the Hundred Years' War, rebuilding and remodeling the romanesque structure started. The tympanum, a masterpiece, signed by Gislebertus, survived accidently pretty undamaged, as it was hidden under thick plaster for many decades. Two archivolts go around the semicircle of the tympanum. The outer one depicts the "Labours of the Months" and the signs of the zodiac. Here are two "cuts".

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. March = Aries April = Taurus May = Gemini

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. June = Cancer July = Lion

In 1927, what is pretty recent, the city "Borgo San Donnino" changed it´s name to "Fidenza", as in Roman times it was known as "Fidentia Julia". The city was named and the Duomo inside the walls was dedicated to San Donnino di Fidenza (aka "Domninus of Fidenza"), who was martyred nearby in 291. Sigeric the Serious, Archbishop of Canterbury, made the pilgrimage to Rome following the Via Francigena around 990. His contemporary records of this journey still exist (and are source for the modern guide books). He reached "Sce Domnine" after 36 days, what is pretty fast for more than 1000kms. The erection of the Cattedrale di San Donnino started in the 11th century, the first consecration took place in 1106, though the building process continued. From around 1200 on Master Benedetto Antelami and his workshop worked here, not only as Master masons. Antelami may as well be the architect of the facade. Frederick Barbarossa had entrusted "Borgo San Donnino" to the Pallavicino family of Piacenza. In 1268 - after a siege - the city was conquered by the troops of Parma, who looted and burnt down it completely. All houses got destroyed at that time just the Duomo was saved, but it was not completed at that time. The building process came to a stop - and was never continued. Around the apse are the "Labours of the Months". Here are (left to right) May, January, and March.

Santa Maria della Pieve was erected over the remains of an earlier church from the early 12th century on. It was was the stronghold of the city's struggle against its feudal bishops, who were building the nearby Cathedral and a palace, that was rather a castle just outside the city walls. It took about two centuries to complete Santa Maria della Pieve, and so there is a mix of Romanesque and Gothic styles. Most unusual is the the facade faces this small street (today "Corso Italia"), while the apse borders to the Piazza Grande. Originally the rectangular facade had no special features, but already end of the 12th century it got changed. There is a five-arch lower floor surmounted by three loggias. Here is a detail of one of the arches. This side is much better preserved than the opposite one (previous upload) The "Labours of the Months". HIC.EST.OCTOBER - HIC.EST.NOVEMBER - HIC.EST.DECEMBER HIC.EST.MARTIUS - HIC.EST.FEBRUARIUS (mirror) - HIC.EST.BIFRONS.IANUARIUS Why has the person symbolising IANUARIUS two faces (=bifrons)? These sculptures are attributed to the "School of Benedetto Antelami", a sculptor and architect (~ 1150 – 1230) best known for his works in Parma.

Santa Maria della Pieve was erected over the remains of an earlier church from the early 12th century on. It was was the stronghold of the city's struggle against its feudal bishops, who were building the nearby Cathedral and a palace, that was rather a castle just outside the city walls. It took about two centuries to complete Santa Maria della Pieve, and so there is a mix of Romanesque and Gothic styles. Most unusual is the the facade faces this small street (today "Corso Italia"), while the apse borders to the Piazza Grande. Originally the rectangular facade had no special features, but already end of the 12th century it got changed. There is a five-arch lower floor surmounted by three loggias. Here is a detail of one of the arches. The "Labours of the Months". HIC.EST.IULIUS - HICEAST-AUGUSTUS - .... below written in mirror image HIC EST TIUNIUS - .... These sculptures are attributed to the "School of Benedetto Antelami", a sculptor and architect (~ 1150 – 1230) best known for his works in Parma.

Perugia was an Umbrian settlement that became a Roman colonia around 250 BC. In 547 Totila´s Ostrogoth troops looted the city after a long siege. Legends tell, that Perugia´s bishop Herculanus, who negotiated with Totila in behalf of his folks, got beheaded by the Ostrogoths, making St. Herculanus (aka "Sant' Ercolano") to the city´s patron saint. In the 9th century it passed under the popes, but within the 11th it century gained independency. After a long conflict, in 1370 the city signed a treaty accepting a papal legate, but already 5 years later the vicar-general of the Papal States was expelled by a popular uprising. During the Italian Wars Perugia passed through many hands until Condottiero Braccio da Montone reached a concordance with the Papacy. It did not bring peace to the city, but led to the "Salt War" in 1540, that had started as a protest against paying new taxes on salt. The papal troops forced a surrender. - The Fontana Maggiore is located on the "Piazza IV Novembre" (ex "Piazza Grande") between the cathedral (background) and the Palazzo dei Priori (my POV). It was created between 1277 and 1278 by the famous sculptors Nicola Pisano and his son Giovanni Pisano, known for their works in Pisa and Siena. Once the place was occupied by the bishop´s citadel. After the demolition of the citadel, the fountain got erected here as a symbol of the free city. The Fontana Maggiore is considered one of the finest still existing medieval fountains. On the twenty-five sides of the lower basin are sculptures representing prophets and saints, the labors of the months, the signs of the zodiac, scenes from Genesis, and events from Roman history. Seen here a scene depicting the treashing wheat (under a "leo" symbol / July-August and people harvesting fruit (under a "virgo" symbol / August-September).

Perugia was an Umbrian settlement that became a Roman colonia around 250 BC. In 547 Totila´s Ostrogoth troops looted the city after a long siege. Legends tell, that Perugia´s bishop Herculanus, who negotiated with Totila in behalf of his folks, got beheaded by the Ostrogoths, making St. Herculanus (aka "Sant' Ercolano") to the city´s patron saint. In the 9th century it passed under the popes, but within the 11th it century gained independency. After a long conflict, in 1370 the city signed a treaty accepting a papal legate, but already 5 years later the vicar-general of the Papal States was expelled by a popular uprising. During the Italian Wars Perugia passed through many hands until Condottiero Braccio da Montone reached a concordance with the Papacy. It did not bring peace to the city, but led to the "Salt War" in 1540, that had started as a protest against paying new taxes on salt. The papal troops forced a surrender. - The Fontana Maggiore is located on the "Piazza IV Novembre" (ex "Piazza Grande") between the cathedral (background) and the Palazzo dei Priori (my POV). It was created between 1277 and 1278 by the famous sculptors Nicola Pisano and his son Giovanni Pisano, known for their works in Pisa and Siena. Once the place was occupied by the bishop´s citadel. After the demolition of the citadel, the fountain got erected here as a symbol of the free city. The Fontana Maggiore is considered one of the finest still existing medieval fountains. On the twenty-five sides of the lower basin are sculptures representing prophets and saints, the labors of the months, the signs of the zodiac, scenes from Genesis, and events from Roman history. Seen here are farmers ploughing an acre and sawing (under a "sagittarius" symbol / November-December) and butchers slaughtering pigs (under a "capricorn" symbol / December-January).

Perugia was an Umbrian settlement that became a Roman colonia around 250 BC. In 547 Totila´s Ostrogoth troops looted the city after a long siege. Legends tell, that Perugia´s bishop Herculanus, who negotiated with Totila in behalf of his folks, got beheaded by the Ostrogoths, making St. Herculanus (aka "Sant' Ercolano") to the city´s patron saint. In the 9th century it passed under the popes, but within the 11th it century gained independency. After a long conflict, in 1370 the city signed a treaty accepting a papal legate, but already 5 years later the vicar-general of the Papal States was expelled by a popular uprising. During the Italian Wars Perugia passed through many hands until Condottiero Braccio da Montone reached a concordance with the Papacy. It did not bring peace to the city, but led to the "Salt War" in 1540, that had started as a protest against paying new taxes on salt. The papal troops forced a surrender. - The Fontana Maggiore is located on the "Piazza IV Novembre" (ex "Piazza Grande") between the cathedral (background) and the Palazzo dei Priori (my POV). It was created between 1277 and 1278 by the famous sculptors Nicola Pisano and his son Giovanni Pisano, known for their works in Pisa and Siena. Once the place was occupied by the bishop´s citadel. After the demolition of the citadel, the fountain got erected here as a symbol of the free city. The Fontana Maggiore is considered one of the finest still existing medieval fountains. On the twenty-five sides of the lower basin are sculptures representing prophets and saints, the labors of the months, the signs of the zodiac, scenes from Genesis, and events from Roman history. Seen here are hunting scenes in the center (under a "gemini" symbol / May-June) and people harvesting to the right (under a "cancer" symbol / June-July).

Trogir was founded by Greek colonists in the 3rd century BC. In Roman times this was an important harbour town. From the 9th century on Trogir was under Croatian rule and later part of the Byzantine empire. A diocese was established in the 11th century, in 1107 the Hungarian-Croatian King Coloman ("The Bookish", "Kálmán Könyves") granted the autonomy. Saracen troops conquered Trogir in 1123 and demolished most of it. From 1420 upto 1797 Trogir belonged to the Republic of Venice. For a short while it belonged to the Napoleonic kingdom of Italy, but upto 1918 Trogir was part of the Habsburg Empire. Trogir is more than 2000 years old. It grew under the influence of the ancient Greeks, the Romans, and the Venetians... Trogir's medieval core, surrounded by walls, comprises (about 10) churches, houses and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Since 1997 the centre of Trogir is a "UNESCO World Heritage Site". The Cathedral of St. Lawrence was erected from 1213 on the foundations of cathedral destroyed by the Saracens in 1123. Most of the work was done in the 13th century. This cathedral is world wide known for Master Radovan´s portal. The portal was carved by the local architect and sculptor Master Radovan (and his workshop). It was completed and signed by Radovan in 1240. Here are the two sides of the portal. The door posts are decorated with reliefs and two carved columns with scenes of hunting and beasts. The interior door posts are decorated with the allegories of months. On the left side are December, January and February, on the right are April and March. Her are "Labours of the Months". The pig did not survive (see previous upload), so now, sausages are produced. I´m not sure, what it poured into the butcher´s large cup. Would he drink wine or beer, while boiling the sausages - or is this the pig´s blood? Then he may just produce "black pudding".