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Tree in the Cuxa Cloister in the Cloisters, April…
Garden in the Cloisters, April 2007
Garden Decorated Base in the Cloisters, April 2007
Column Capital in the Cuxa Cloister in the Cloiste…
Heraldic Column Capital in the Trie Cloister at th…
Column Capital in the Trie Cloister at the Cloiste…
Column Capital in the Trie Cloister at the Cloiste…
Column Capital With the 3 Marys and the Entombment…
Cross & Fountain in the Trie Cloister at the Clois…
Cross & Fountain in the Trie Cloister at the Clois…
Cross & Fountain in the Trie Cloister at the Clois…
Cross & Fountain in the Trie Cloister at the Clois…
Opening of the New Greek & Roman Galleries "Toga P…
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Fountain with Gas Lights in City Hall Park, April…
Terrracotta Aryballos in the Form of Cockleshells…
Terracotta Guttus in the Metropolitan Museum of Ar…
Terracotta Figurine of Europa on the Bull in the M…
Terracotta Figurine of Eros in the Metropolitan Mu…
Terracotta Figurine of Hyakinthos on a Swan in the…
Marble Disc with Two Theatre Masks in Relief in th…
Marble Fragment of a Relief with a Flying Eros in…
The Exterior of the Chapel in the Cloisters, April…
Effigies of Alvaro Rodrigo de Cabrera and Cecilia…
Three Reliquaries for the Skulls of Female Saints…
Gate at the Cloisters, April 2007
Fort Tryon Park, April 2007
Barn at the Queens County Farm Fair, September 200…
The Queens County Farm Museum Store at their Fair,…
The Adrience Farmhouse at the Queens County Farm F…
Old-Fashioned Organ at the Queens County Farm Fair…
Farm Animals at the Queens County Farm Fair, Septe…
Balloon Ride at the Queens County Farm Fair, Septe…
Prize Peppers at the Queens County Farm Fair, Sept…
Greenhouse at the Queens County Farm Fair, Septemb…
Windmill at the Queens County Farm Fair, September…
25th Anniversary Banners at the Queens County Farm…
Baron Ian's Tunic at the Queens County Farm Fair,…
John the Bear and Viceroy Alexandre vs Avran and E…
John the Bear and Viceroy Alexandre vs Avran and E…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
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Pilaster from the Saint-Guilhem Cloister in the Cloisters, April 2007


Saint-Guilhem Cloister, late 12th century
French
Limestone; 30 ft. 3 in. x 23 ft. 10 in. (922 x 726 cm)
The Cloisters Collection, 1925 (25.120.1-.134)
Situated in a valley near Montpellier in southern France, the Benedictine abbey of Saint-Guilhem-le-Désert was founded in 804 by Guilhem (Guillaume) au Court-Nez, duke of Aquitaine and a member of Charlemagne's court. By the twelfth century, the abbey had been named in honor of its founder and had become an important site on one of the pilgrimage roads that ran through France to the holy shrine of Santiago de Compostela in Spain. With the steady visits of travelers en route to the shrine and the gifts they brought with them, a period of prosperity came to the monastery. By 1206 a new, two-story cloister had been built at Saint-Guilhem, incorporating the columns and pilasters from the upper gallery seen here. Most of these columns are medieval versions of the classical Corinthian column, based on the spiny leaf of the acanthus. This floral ornamentation is treated in a variety of ways. Naturalistic acanthus, with clustered blossoms and precise detailing, is juxtaposed with decoration in low, flat relief, swirling vine forms, and even the conventionalized bark of palm trees. Among the most beautiful capitals are those embellished by drill holes, sometimes in an intricate honeycomb pattern. Like the adaptation of the acanthus-leaf decoration, this prolific use of the drill must have been inspired by the remains of Roman sculpture readily available in southern France at the time. The drilled dark areas contrast with the cream-colored limestone and give the foliage a crisp lacy look that is elegant and sophisticated.
Like other French monasteries, Saint-Guilhem suffered greatly in the religious wars following the Reformation and during the French Revolution, when it was sold to a stonemason. The damages were so severe that there is now no way of determining the original dimensions of the cloister or the number and sequence of its columns. Those collected here served in the nineteenth century as grape-arbor supports and ornaments in the garden of a justice of the peace in nearby Aniane. They were purchased by the American sculptor George Grey Barnard before the First World War and brought to this country. A portion of the original cloister remains at Saint-Guilhem.
Text from: www.metmuseum.org/works_of_art/collection_database/the_cl...
French
Limestone; 30 ft. 3 in. x 23 ft. 10 in. (922 x 726 cm)
The Cloisters Collection, 1925 (25.120.1-.134)
Situated in a valley near Montpellier in southern France, the Benedictine abbey of Saint-Guilhem-le-Désert was founded in 804 by Guilhem (Guillaume) au Court-Nez, duke of Aquitaine and a member of Charlemagne's court. By the twelfth century, the abbey had been named in honor of its founder and had become an important site on one of the pilgrimage roads that ran through France to the holy shrine of Santiago de Compostela in Spain. With the steady visits of travelers en route to the shrine and the gifts they brought with them, a period of prosperity came to the monastery. By 1206 a new, two-story cloister had been built at Saint-Guilhem, incorporating the columns and pilasters from the upper gallery seen here. Most of these columns are medieval versions of the classical Corinthian column, based on the spiny leaf of the acanthus. This floral ornamentation is treated in a variety of ways. Naturalistic acanthus, with clustered blossoms and precise detailing, is juxtaposed with decoration in low, flat relief, swirling vine forms, and even the conventionalized bark of palm trees. Among the most beautiful capitals are those embellished by drill holes, sometimes in an intricate honeycomb pattern. Like the adaptation of the acanthus-leaf decoration, this prolific use of the drill must have been inspired by the remains of Roman sculpture readily available in southern France at the time. The drilled dark areas contrast with the cream-colored limestone and give the foliage a crisp lacy look that is elegant and sophisticated.
Like other French monasteries, Saint-Guilhem suffered greatly in the religious wars following the Reformation and during the French Revolution, when it was sold to a stonemason. The damages were so severe that there is now no way of determining the original dimensions of the cloister or the number and sequence of its columns. Those collected here served in the nineteenth century as grape-arbor supports and ornaments in the garden of a justice of the peace in nearby Aniane. They were purchased by the American sculptor George Grey Barnard before the First World War and brought to this country. A portion of the original cloister remains at Saint-Guilhem.
Text from: www.metmuseum.org/works_of_art/collection_database/the_cl...
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