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Nosemorph
Slowly and silently.
[start]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I low-pass-filtered some elements which Holiday used to construct the Banker's spectacles and (segment in left image) mirrored the "nose" about a horizontal axis.
[end]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book)
(Also available here: www.youtube.com/watch?v=06X98w0YvEU&hd=1)
[start]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I low-pass-filtered some elements which Holiday used to construct the Banker's spectacles and (segment in left image) mirrored the "nose" about a horizontal axis.
[end]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book)
(Also available here: www.youtube.com/watch?v=06X98w0YvEU&hd=1)
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