Josephine De Reszke by Pierre Petit
Mily Meyer by Chalot
Luigi Agnesi by Unknown
Carl Mayerhofer by Dr Szekely
Emma Seebold by Kriziwanek
Therese Vogl by Bieber
Bertha Ehnn by Rabending
Marie Heilbronn & Paul L'Herie by Nadar
Italo Campanini by Falk
Jean Baptiste Faure by Reutlinger
Emma Calve by Reutlinger
Elio Sylva by Pierre Petit
Jean Lassalle by Pierre Petit
Leopold Demuth
Feodor Chaliapin
Feodor Chaliapin
Nicolay Figner
Nicolay Figner
Marcelle Demougeot
Katharina Fleischer-Edel
Nina Pack
Lillian Blauvelt
Ferruccio Coradetti
Marie Gabrielle Krauss & Josephine Daram by Benqu…
Jean Lassalle & Marie Gabrielle Krauss by Benque
Jean Lassalle by Benque
Marie Van Zandt by Benque
Jean-Alexandre Talazac and Adele Isaac, by Benque
Victor Capoul & Marie Rey by Nadar
Leon Gresse by Dupont
Jean- Baptiste Faure by Reutlinger
Harriett Waylett
Jenny Lind
Gabrielle Krauss by Benque
Therese Vogl by Mathaus
Therese Tietjens by Stereoscope Co
Paola Marie by Reutlinger
Pyotr Lodiy by Russian studio
Andrei Labinski by Russian studio
L N Bragina by Russian studio
Marguerite Priola by Maunoury
Joachim Tartakov by Russian studio
Juliette By Ulrich Grob
Rose Caron by Benque
Meyriane Heglon-Leroux by Reutlinger
See also...
Henry Sellier by Carjat


as Arnold in "William Tell" by Rossini
HENRY SELLIER
(François Alfred Alexander Sellier)
(26 March 1849 - 26 June 1899).
As a young man of very poor ancestry he came to Paris looking for work. When he worked as an errand boy for a merchant his voice was discovered and with financial help he was able to study at the Conservatoire National de Paris. In 1876 he finished his vocal studies by winning the "Prix du Conservatoire". After that he was immediately engaged by the Grand-Opéra, where in 1878 he made his debut as Arnold in Rossini's "Guillaume Tell". Here he created the role of Manoël at the première in Gounod's "Le Tribut de Zamora" (1881) and the role of Paolo at the première of "Françoise de Rimini" by Ambroise Thomas (1882). He was widely admired for the balanced beauty of his tenor voice and the dramatic force of his performance. After a hunting accident he ended his career at the Grand-Opéra in 1888. The season 1889/90 he was engaged at Brussels at "The Théâtre de la Monnaie" , where he created the role of Mathô at the première of Ernest Reyer's opera "Salammbô". The season 1890/91 he was engaged at the Opéra of Marseille and the following years he was engaged by various French provincial theaters.
HENRY SELLIER
(François Alfred Alexander Sellier)
(26 March 1849 - 26 June 1899).
As a young man of very poor ancestry he came to Paris looking for work. When he worked as an errand boy for a merchant his voice was discovered and with financial help he was able to study at the Conservatoire National de Paris. In 1876 he finished his vocal studies by winning the "Prix du Conservatoire". After that he was immediately engaged by the Grand-Opéra, where in 1878 he made his debut as Arnold in Rossini's "Guillaume Tell". Here he created the role of Manoël at the première in Gounod's "Le Tribut de Zamora" (1881) and the role of Paolo at the première of "Françoise de Rimini" by Ambroise Thomas (1882). He was widely admired for the balanced beauty of his tenor voice and the dramatic force of his performance. After a hunting accident he ended his career at the Grand-Opéra in 1888. The season 1889/90 he was engaged at Brussels at "The Théâtre de la Monnaie" , where he created the role of Mathô at the première of Ernest Reyer's opera "Salammbô". The season 1890/91 he was engaged at the Opéra of Marseille and the following years he was engaged by various French provincial theaters.
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