Feodor Chaliapin
Nicolay Figner
Nicolay Figner
Marcelle Demougeot
Katharina Fleischer-Edel
Nina Pack
Lillian Blauvelt
Ferruccio Coradetti
Vladimir Rosing
Ettore Borucchia
Erik Enderlien
Lola Beeth
Melanie Kurt
Nicolay Severesky
Jeanne Marcy
Ivan Altchevsky
Paul Kuhn
Annie Krull
Fiorello Giraud (Girod)
Fanny Heldy
Annie Krull
Sofia Druzyakina
Pavel Andreev
Leopold Demuth
Jean Lassalle by Pierre Petit
Elio Sylva by Pierre Petit
Emma Calve by Reutlinger
Jean Baptiste Faure by Reutlinger
Italo Campanini by Falk
Marie Heilbronn & Paul L'Herie by Nadar
Bertha Ehnn by Rabending
Therese Vogl by Bieber
Emma Seebold by Kriziwanek
Carl Mayerhofer by Dr Szekely
Luigi Agnesi by Unknown
Mily Meyer by Chalot
Josephine De Reszke by Pierre Petit
Henry Sellier by Carjat
Marie Gabrielle Krauss & Josephine Daram by Benqu…
Jean Lassalle & Marie Gabrielle Krauss by Benque
Jean Lassalle by Benque
Marie Van Zandt by Benque
Jean-Alexandre Talazac and Adele Isaac, by Benque
Victor Capoul & Marie Rey by Nadar
Leon Gresse by Dupont
Feodor Chaliapin


FEODOR IVANOVICH CHALIAPIN
(February 13 ,1873 – April 12, 1938)
Russian Bass
Largely self-taught, he began his career at Tbilisi and the Imperial Opera, St. Petersburg in 1894. He was then invited to sing at the Mamontov Private Opera (1896–1899); his first role there was as Mephistopheles in Gounod's Faust,
At Mamontov he also met Sergei Rachmaninoff, who was serving as an assistant conductor there and with whom he remained friends for life. Rachmaninoff taught him much about musicianship, including how to analyze a music score, and insisted that Chaliapin learn not only his own roles but also all the other roles in the operas in which he was slated to appear. With Rachmaninoff he learned the title role of Mussorgsky's Boris Godunov, which became his signature character , On the strength of his Mamontov appearances, the Bolshoi Theatre in Moscow engaged Chaliapin, where he appeared regularly from 1899 until 1914. During the First World War, Chaliapin also appeared regularly at the Zimin Private Opera in Moscow. In addition, from 1901, Chaliapin began touring in the West, making a sensational debut at La Scala that year as the devil in a production of Boito's Mefistofele, under the baton of one of the 20th century's most dynamic opera conductors, Arturo Toscanini
Chaliapin's last stage performance took place at the Monte Carlo Opera in 1937, as Boris. He died the following year of leukemia, aged 65, in Paris, where he was interred
(February 13 ,1873 – April 12, 1938)
Russian Bass
Largely self-taught, he began his career at Tbilisi and the Imperial Opera, St. Petersburg in 1894. He was then invited to sing at the Mamontov Private Opera (1896–1899); his first role there was as Mephistopheles in Gounod's Faust,
At Mamontov he also met Sergei Rachmaninoff, who was serving as an assistant conductor there and with whom he remained friends for life. Rachmaninoff taught him much about musicianship, including how to analyze a music score, and insisted that Chaliapin learn not only his own roles but also all the other roles in the operas in which he was slated to appear. With Rachmaninoff he learned the title role of Mussorgsky's Boris Godunov, which became his signature character , On the strength of his Mamontov appearances, the Bolshoi Theatre in Moscow engaged Chaliapin, where he appeared regularly from 1899 until 1914. During the First World War, Chaliapin also appeared regularly at the Zimin Private Opera in Moscow. In addition, from 1901, Chaliapin began touring in the West, making a sensational debut at La Scala that year as the devil in a production of Boito's Mefistofele, under the baton of one of the 20th century's most dynamic opera conductors, Arturo Toscanini
Chaliapin's last stage performance took place at the Monte Carlo Opera in 1937, as Boris. He died the following year of leukemia, aged 65, in Paris, where he was interred
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.