Desiree Artot de Padilla by Bieber
Rose Sucher by Bieber
Jean De Reszke by Benque
Anna De Belocca by Reutlinger
Zina Dalti by Reutlinger
Mme Dauglade ? Dariglade ? by Unknown
Marie Basta-Tavary by Unkown
Josef Ritter by Krziwanek
Ritter Autograph Reverse
Lilli Lehmann by Schaarwachter
Jeanne Louise Tiphaine by Van Bosch
Nellie Melba by Reutlinger
Nellie Melba by Reutlinger
Nellie Melba by Unknown
Rosa Ethofer by Carl Bellach
Rosa Ethofer by Carl Bellach
Jean-Baptiste Faure by Reutlinger
Joseph Couderc by Numa Blanc
Alexandre Gourdin by Erwin Freres
Adelina Patti by Luckhardt (18)
Unknown by Liebert
Henry Sellier by Lopez
Emilie Bertin by Erwin Freres
Euphrosyne Parepa-Rosa by Sereoscopic Co
Emma Calve by Aime Dupont
Emma Calve by Aime Dupont
Unknown
Jules Layolle by Unknown
Edmond Cabel by Bureau
Fernand Francell
Blanche Marchesi ?????
Frieda Hempel
Frieda Hempel
Frieda Hempel
Lillian Nordica
Lillian Nordica
Lillian Nordica
Lillian Nordica
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Anton Schott by Hoffert
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Nellie Melba by Unknown Autographed


Dame NELLIE MELBA GBE
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
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