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Zina Brozia


ZINA BROZIA
1880-
French Soprano
Studied with Elena Teodorini in Paris . Her Opera Comique debut was as Violetta “La Traviata” by Verdi on the 13 September 1905, after singing the roles of Gilda, Manon and Seso in the world première of Erlanger’s “Aphrodita”, She was a member of the Opéra Comique between 1905-1909. In 1907 she sang at Monte Carlo, making her debut as Elena in Mefistofele, and thereafter appearing as Elisabeth in Verdi’ s Don Carlos. She made guest appearances at the Monnaie, Brussels, and in 1908 at the Teatro Regio, Parma, as Butterfly and Manon. She débuted at the Palais Garnier on 27 March 1908 as Gilda in Rigoletto and also sang Juliet “Romeo and Juliet “ ), Marguerite “Faust”, Marguerite “ Mefistofele”, Thais “Thais” then, in 1909, in Ophelia “Hamlet”. In 1911 Russell brought her to Boston and from Boston she returned to France. In 1914 at Théâtre de Gaité à Paris she sang Salome in Massenet’s Herodiade and took part in Bianchini’s Radda , a one act piece after a drama by Gorki. Also she created Hirschmann's “La Danseuse de Tangra” at La Gaitie in Paris.
1880-
French Soprano
Studied with Elena Teodorini in Paris . Her Opera Comique debut was as Violetta “La Traviata” by Verdi on the 13 September 1905, after singing the roles of Gilda, Manon and Seso in the world première of Erlanger’s “Aphrodita”, She was a member of the Opéra Comique between 1905-1909. In 1907 she sang at Monte Carlo, making her debut as Elena in Mefistofele, and thereafter appearing as Elisabeth in Verdi’ s Don Carlos. She made guest appearances at the Monnaie, Brussels, and in 1908 at the Teatro Regio, Parma, as Butterfly and Manon. She débuted at the Palais Garnier on 27 March 1908 as Gilda in Rigoletto and also sang Juliet “Romeo and Juliet “ ), Marguerite “Faust”, Marguerite “ Mefistofele”, Thais “Thais” then, in 1909, in Ophelia “Hamlet”. In 1911 Russell brought her to Boston and from Boston she returned to France. In 1914 at Théâtre de Gaité à Paris she sang Salome in Massenet’s Herodiade and took part in Bianchini’s Radda , a one act piece after a drama by Gorki. Also she created Hirschmann's “La Danseuse de Tangra” at La Gaitie in Paris.
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