Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Louis Henri Obin by Disderi
Charles Marie August Ponchard by Reutlinger
Auguste-Acanthe Boudouresque by Pierre Petit
Janet Patey by Downey Autographed
Simms Reeves by Unknown
Louise Liebhardt by Elliott & Fry
Anton Woworsky by Luckhardt
Minnie Hauk by Ross (3)
Julian Gayarre by Benque
Marie Lafargue by Bugle Autographed
Albert Niemann by Bieber
Marguerite Vaillant-Couturier by Le Jeune
Anton Schott by Hoffert
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Geraldine Farrar
Baptiste Pierre Marty by Bernoud
Georg Anthes by Aime Dupont
Marie Rappold by Aime Dupont
Emmy Destinn
Emmy Destinn
Emmy Destinn
Emmy Destinn
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
510 visits
Geraldine Farrar


as Coi Coi San "Madama Butterfly" Puccini with Frances Maclennan as Pinkerton and Adolf Lieban as Goro
GERALDINE FARRAR
1882-1967
American Soprano
Started her vocal lessons with Mrs. J. H. Long in Boston in 1894. The 12-year-old Farrar also studied operatic acting and deportment with Victor Capoul, By the time she was 13 Farrar was living in New York City and studying with Emma Thursby , she was in Paris from 1899 to 1900, stuying with Trabadelo, a Spanish vocal coach, she went to Berlin to study with Francesco Graziani, In 1900 Farrar auditioned and won a three-year contract with the Berlin Hofoper Making her debut as Marguerite in Faust in 1901,After her contract in Berlin was up, Farrar moved to the Monte Carlo Opera, where she sang from about 1904 to 1906, making her Monte Carlo debut in Puccini's La Bohéme alongside costar Enrico Caruso. In 1905, Farrar sang in the premiere of " Amica" by Mascagni. She also appeared in Paris, Munich, Warsaw, and Salzburg,While she lived in Europe, Farrar continued to study with Lilli Lehmann.On opening night of the 1906-1907 season at the Metropolitan Opera House in New York City, Farrar made her debut with the company with which she would be associated for the rest of her career. In her debut, sher sang in "Roméo et Juliette" by Gounod. She appeared in the Met's first production of Puccini's Madama Butterfly, In 1910 at the world premiere of German composer Engelbert Humperdinck's " Köngiskinder" creating the role of the Goose Girl. In 1911, Farrar sang in the American premiere of Ariane et Barbe-bleue.Her final performance at the Met was in April 1922. She sang in Zazá by Leoncavallo
FRANCES MACLENNAN
1873-1935
American Tenor
Educated public high schools of Bay City; studied music with J. F. Mount at Bay City, Carl E. Dufft and Joseph Tamaro of New York and in Europe with Georg Henschel and Franz Emerich. Debut as Faust in Gounod's opera Covent Garden, London, then appeared at the Berlin Royal Opera, Hamburg Stadttheater, at Antwerp and all large cities of the United States and Great Britain and Canada; created Parsifal in the English production of Henry W. Savage in the U.S. Debut in Berlin as Turiddu, Royal Opera, 1907, there created the roles of Renaud in Leoncavallo's Maia, 1910. Leontes in Goldmark's “A Winter's Tale”; created the role of Pinkerton in “Madama Butterfly” at it first performance in America and the first English production in Germany (Royal Opera, Berlin, 1907); member Chicago Opera Co., 1915-7. Principal roles include Radames, Pinkerton, Raoul, Othello, Rienzi, Tristan, Siegmund, Siegfried, Herodes and others. In 1904 he married the soprano Florence Easton, and since then they have been constantly associated in both opera and song-recitals.
ADOLF LIEBAN
1867-1934
German Bass
Lieban was born into the family of singers Lieban, his brothers Adalbert Lieban and Julius Lieban were also singers. He himself was a bass at the Court Opera in Berlin
GERALDINE FARRAR
1882-1967
American Soprano
Started her vocal lessons with Mrs. J. H. Long in Boston in 1894. The 12-year-old Farrar also studied operatic acting and deportment with Victor Capoul, By the time she was 13 Farrar was living in New York City and studying with Emma Thursby , she was in Paris from 1899 to 1900, stuying with Trabadelo, a Spanish vocal coach, she went to Berlin to study with Francesco Graziani, In 1900 Farrar auditioned and won a three-year contract with the Berlin Hofoper Making her debut as Marguerite in Faust in 1901,After her contract in Berlin was up, Farrar moved to the Monte Carlo Opera, where she sang from about 1904 to 1906, making her Monte Carlo debut in Puccini's La Bohéme alongside costar Enrico Caruso. In 1905, Farrar sang in the premiere of " Amica" by Mascagni. She also appeared in Paris, Munich, Warsaw, and Salzburg,While she lived in Europe, Farrar continued to study with Lilli Lehmann.On opening night of the 1906-1907 season at the Metropolitan Opera House in New York City, Farrar made her debut with the company with which she would be associated for the rest of her career. In her debut, sher sang in "Roméo et Juliette" by Gounod. She appeared in the Met's first production of Puccini's Madama Butterfly, In 1910 at the world premiere of German composer Engelbert Humperdinck's " Köngiskinder" creating the role of the Goose Girl. In 1911, Farrar sang in the American premiere of Ariane et Barbe-bleue.Her final performance at the Met was in April 1922. She sang in Zazá by Leoncavallo
FRANCES MACLENNAN
1873-1935
American Tenor
Educated public high schools of Bay City; studied music with J. F. Mount at Bay City, Carl E. Dufft and Joseph Tamaro of New York and in Europe with Georg Henschel and Franz Emerich. Debut as Faust in Gounod's opera Covent Garden, London, then appeared at the Berlin Royal Opera, Hamburg Stadttheater, at Antwerp and all large cities of the United States and Great Britain and Canada; created Parsifal in the English production of Henry W. Savage in the U.S. Debut in Berlin as Turiddu, Royal Opera, 1907, there created the roles of Renaud in Leoncavallo's Maia, 1910. Leontes in Goldmark's “A Winter's Tale”; created the role of Pinkerton in “Madama Butterfly” at it first performance in America and the first English production in Germany (Royal Opera, Berlin, 1907); member Chicago Opera Co., 1915-7. Principal roles include Radames, Pinkerton, Raoul, Othello, Rienzi, Tristan, Siegmund, Siegfried, Herodes and others. In 1904 he married the soprano Florence Easton, and since then they have been constantly associated in both opera and song-recitals.
ADOLF LIEBAN
1867-1934
German Bass
Lieban was born into the family of singers Lieban, his brothers Adalbert Lieban and Julius Lieban were also singers. He himself was a bass at the Court Opera in Berlin
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.