Adele Isaac by Benque
Paul Franz by Walery
Jean-Baptiste Faure by Numa Blanc
Berthet , Alvarez & Renaud by Benque
Berthet & Renaud by Benque
Alexandrine (Marie) Cico by Reutlinger
Alexandrine (Marie) Cico by Reutlinger
Delphine Ugalde by Delbarre
Delphine Ugalde by Ken
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Eugen Gura by Hoffert
Josef Aloys Tichatschek by Hanfstaengl
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Emma Abbott by Sarony
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unknown by Pierson
Fides Devries by Reutlinger
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Jean-Louis Lasalle by Pierre Petit
Victor Prilleux by Bureau
Pierre Jules Michot by Pierre Petit
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Antonio Giuglini by Mayer Brothers
Edmond Clement by Ogerau
Edmond Clement by Ogerau
Georgette Brejean-Graviere by Reutlinger
Victor Maurel By Ogerau
Paola Marie by Reutlinger
Paola Marie by Reutlinger
Mathilde Sessi by Dupont
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Emilio Naudin by Reutlinger
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Adele Isaac by Benque


Adele Isaac as Catherine in “L’ Etoile du Nord” Meyerbeer
ADELE ISAAC
(8 January 1854 – 22 October 1915) French soprano,
Autographed 1885
Isaac was born in Calais. After studying with Gilbert Duprez, her professional debut was in 1870 in Victor Massé's Les noces de Jeannette at the Théatre Montmartre. In February 1873 she attracted attention singing the young shepherd in Tannhäuser at La Monnaie (Bruxelles). Her first performance at the Opéra-Comique was in 1873 as Marie in La fille du régiment, going on to sing Mozart and Gounod. On 3 April 1882 she sang Angèle in the 1,000th performance of Le Domino Noir at the Opéra-Comique
From 1883 to 1885 she appeared at the Opéra as Ophélia, Marguerite, Adele, Zerlina and Marguerite de Valois.
She sang in the first Paris revival of Carmen in April 1883, and was chosen for the more restrained, even bland interpretation of the title role she offered.
She created the roles of Olympia and Antonia in Les contes d'Hoffmann in 1881, Claire in Egmont by Salvayre in 1886, and Minka in Le roi malgré lui in 1887. Isaac was a great favourite at the Opéra-Comique: she sang Susanna in the 1882, 1886 and 1892 revivals of Le Nozze di Figaro. Her absence for a concert tour in Rome and Monte Carlo in early 1888 delayed repeat performances of Le roi malgré lui, and may have contributed to the end of its first run.
In 1884 Adèle Isaac sang in the annual performances of Beethoven's 9th Symphony given at the Société des Concerts du Conservatoire; the following year she sang music from Egmont and The Magic Flute with the same orchestra .
In 1887 she married businessman Charles Lelong; she retired in 1894. She died in Paris.
ADELE ISAAC
(8 January 1854 – 22 October 1915) French soprano,
Autographed 1885
Isaac was born in Calais. After studying with Gilbert Duprez, her professional debut was in 1870 in Victor Massé's Les noces de Jeannette at the Théatre Montmartre. In February 1873 she attracted attention singing the young shepherd in Tannhäuser at La Monnaie (Bruxelles). Her first performance at the Opéra-Comique was in 1873 as Marie in La fille du régiment, going on to sing Mozart and Gounod. On 3 April 1882 she sang Angèle in the 1,000th performance of Le Domino Noir at the Opéra-Comique
From 1883 to 1885 she appeared at the Opéra as Ophélia, Marguerite, Adele, Zerlina and Marguerite de Valois.
She sang in the first Paris revival of Carmen in April 1883, and was chosen for the more restrained, even bland interpretation of the title role she offered.
She created the roles of Olympia and Antonia in Les contes d'Hoffmann in 1881, Claire in Egmont by Salvayre in 1886, and Minka in Le roi malgré lui in 1887. Isaac was a great favourite at the Opéra-Comique: she sang Susanna in the 1882, 1886 and 1892 revivals of Le Nozze di Figaro. Her absence for a concert tour in Rome and Monte Carlo in early 1888 delayed repeat performances of Le roi malgré lui, and may have contributed to the end of its first run.
In 1884 Adèle Isaac sang in the annual performances of Beethoven's 9th Symphony given at the Société des Concerts du Conservatoire; the following year she sang music from Egmont and The Magic Flute with the same orchestra .
In 1887 she married businessman Charles Lelong; she retired in 1894. She died in Paris.
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