Celestine Galli-Marie by Reutlinger
Emilio Naudin by Reutlinger
Marie Cabel by Bingham
Mathilde Sessi by Dupont
Paola Marie by Reutlinger
Paola Marie by Reutlinger
Victor Maurel By Ogerau
Georgette Brejean-Graviere by Reutlinger
Edmond Clement by Ogerau
Edmond Clement by Ogerau
Antonio Giuglini by Mayer Brothers
Marie-Julie Baretti by Bureau
Pierre Jules Michot by Bacard
Pierre Jules Michot by Pierre Petit
Victor Prilleux by Bureau
Jean-Louis Lasalle by Pierre Petit
Luigi Lablache by Mayer & Pierson
Léocadie Lemercier by Mayer & Pierson
Adele Isaac by Benque
Adele Isaac by Benque
Paul Franz by Walery
Jean-Baptiste Faure by Numa Blanc
Berthet , Alvarez & Renaud by Benque
Amélie Faivre by Bureau
Marie Sasse by Reutlinger (1)
Lise Tautin by Reutlinger
Maria Dolina Gorlenko by Photography of Imperial T…
Bianca Bianchi by Krziwanek
Bianca Bianchi by Krziwanek
Nellie Melba by Falk
Nellie Melba by Chalot
Nellie Melba by Falk
Nellie Melba by Reutlinger
Nellie Melba by Reutlinger
Nellie Melba by Reutlinger
Nellie Melba by Reutlinger
Eva Dufranne by Chalot
Jean Francois Philibert Berthelier by Reutlinger
Caroline Fierens by Benque
Jean Alexandre Talazac by Benque
Marie Belval by Reutlinger
Rose Caron by Benque
Eugene Etienne Auguste Mossol by Disderi
Louis-Antoine Ponchard
Maurice Renaud by Barry
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
606 visits
Rosine Bloch by Manoury


ROSINE BLOCH (Paris, 07 November 1844 -01 February 1891) French operatic mezzo-soprano
While a student of the Conservatory, she won in 1864, two seconds prizes for singing and opera, and the two firsts the following year. Committed immediately to the Opera, 1865, debut in Il Trovatore. The beauty, vigor and velvety tone of her beautiful contralto voice, that she handled with skill, earned her a warm welcome in the part by the public. She was not happy in the other roles in her repertoire, and was applauded in LE FAVOURITE and LE PROPHET. She created the Coupe du roi de Thulé, in 1880, she left the Opera. In 1870, at the Théâtre-Lyrique she sang in Charles VI. October 31, 1890, she sang Samson and Delilah (Dalila) when the first Parisian stage performance of this work at the Eden-Théâtre.
While a student of the Conservatory, she won in 1864, two seconds prizes for singing and opera, and the two firsts the following year. Committed immediately to the Opera, 1865, debut in Il Trovatore. The beauty, vigor and velvety tone of her beautiful contralto voice, that she handled with skill, earned her a warm welcome in the part by the public. She was not happy in the other roles in her repertoire, and was applauded in LE FAVOURITE and LE PROPHET. She created the Coupe du roi de Thulé, in 1880, she left the Opera. In 1870, at the Théâtre-Lyrique she sang in Charles VI. October 31, 1890, she sang Samson and Delilah (Dalila) when the first Parisian stage performance of this work at the Eden-Théâtre.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.