Emma Abbott by Sarony
Edouard De Reszke by Pollock
unknown by Pierson
Fides Devries by Reutlinger
Minnie Hauk by Unknown (4)
Guiseppe Kaschmann by Falk
William Mueller by Hoffert
Louisa Pyne by Naudin
Sarah Edith Wynne by Unknown
Fortunata Tedesco by Reutlinger
Milka Ternina by Aime Dupont
Janet Monach Patey by Unknown
Lucie Bertrand & Jean Bartet by Nadar
Hortense Schneider by Disderi
Louis Alphonse Holtzem by Petit & Trinquart
Emma Albani by Figaro (1)
Anna De Belocca by Figaro
Madeleine Brohan by Reutlinger
Marie Cabel by Trinquart
Enrico Campobello by Unknown
Caroline Van den Heuvel-Duprez by Disderi
Jeanne Granier by Unknown
Leontine Maesen by Reutlinger
Carlotta Patti by Gurney (1)
Victor Capoul & Marie Rey by Nadar
Josef Aloys Tichatschek by Hanfstaengl
Eugen Gura by Hoffert
Marie Roze by Mora
Delphine Ugalde by Ken
Delphine Ugalde by Delbarre
Alexandrine (Marie) Cico by Reutlinger
Alexandrine (Marie) Cico by Reutlinger
Berthet & Renaud by Benque
Berthet , Alvarez & Renaud by Benque
Jean-Baptiste Faure by Numa Blanc
Paul Franz by Walery
Adele Isaac by Benque
Adele Isaac by Benque
Léocadie Lemercier by Mayer & Pierson
Luigi Lablache by Mayer & Pierson
Jean-Louis Lasalle by Pierre Petit
Victor Prilleux by Bureau
Pierre Jules Michot by Pierre Petit
Pierre Jules Michot by Bacard
Marie-Julie Baretti by Bureau
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Emma Calve by Aime Dupont


Emma Calve as Carmen 'Carmen" Bizet
EMMA CALVE
(Rosa Emma Calvet de Noëmie Roquer)
(August 15, 1858 – January 6, 1942), French Soprano
Her operatic debut occurred on September 23, 1881, in Gounod's Faust at Brussels' La Monnaie. Later she sang at La Scala in Milan, and also at the principal theatres of Naples, Rome, and Florence.
Returning to Paris in 1891, she created the part of Suzel in L'amico Fritz by Pietro Mascagni, playing and singing the role later at Rome. Because of her great success in it, she was chosen to appear[citation needed] as Santuzza in the French premiere of Cavalleria rusticana, which was viewed as one of her greatest parts. She repeated her success in it in London.
Her next triumph was Bizet's Carmen. Before beginning the study of this part, she went to Spain, learned the Spanish dances, mingled with the people and patterned her characterization after the cigarette girls whom she watched at their work and at play. In 1894, she made her appearance in the role at the Opéra-Comique, Paris. The city's opera-goers immediately hailed her as the greatest Carmen that had ever appeared, a verdict other cities would later echo. She had had many famous predecessors in the role, including Adelina Patti, Minnie Hauk and Célestine Galli-Marié, but critics and musicians agreed that in Calvé they had found their ideal of Bizet's cigarette girl of Seville.
Calvé first appeared in America in the season of 1893–1894 as Mignon. She would make regular visits to the country, both in grand opera and in concert tours. After making her Metropolitan Opera debut as Santuzza, she went on to appear a total of 261 times with the company between 1893 and 1904. She created the part of Anita, which was written for her, in Massenet's La Navarraise in London in 1894 and sang Sapho in an opera written by the same composer.
She sang Ophélie in Ambroise Thomas's Hamlet in Paris in 1899, but the part was not suited to her and she dropped it. She appeared with success in many roles, among them, as the Countess in The Marriage of Figaro, the title role in Félicien David's Lalla-Rookh, as Pamina in The Magic Flute, and as Camille in Hérold's Zampa, but she is best known as Carmen
.
EMMA CALVE
(Rosa Emma Calvet de Noëmie Roquer)
(August 15, 1858 – January 6, 1942), French Soprano
Her operatic debut occurred on September 23, 1881, in Gounod's Faust at Brussels' La Monnaie. Later she sang at La Scala in Milan, and also at the principal theatres of Naples, Rome, and Florence.
Returning to Paris in 1891, she created the part of Suzel in L'amico Fritz by Pietro Mascagni, playing and singing the role later at Rome. Because of her great success in it, she was chosen to appear[citation needed] as Santuzza in the French premiere of Cavalleria rusticana, which was viewed as one of her greatest parts. She repeated her success in it in London.
Her next triumph was Bizet's Carmen. Before beginning the study of this part, she went to Spain, learned the Spanish dances, mingled with the people and patterned her characterization after the cigarette girls whom she watched at their work and at play. In 1894, she made her appearance in the role at the Opéra-Comique, Paris. The city's opera-goers immediately hailed her as the greatest Carmen that had ever appeared, a verdict other cities would later echo. She had had many famous predecessors in the role, including Adelina Patti, Minnie Hauk and Célestine Galli-Marié, but critics and musicians agreed that in Calvé they had found their ideal of Bizet's cigarette girl of Seville.
Calvé first appeared in America in the season of 1893–1894 as Mignon. She would make regular visits to the country, both in grand opera and in concert tours. After making her Metropolitan Opera debut as Santuzza, she went on to appear a total of 261 times with the company between 1893 and 1904. She created the part of Anita, which was written for her, in Massenet's La Navarraise in London in 1894 and sang Sapho in an opera written by the same composer.
She sang Ophélie in Ambroise Thomas's Hamlet in Paris in 1899, but the part was not suited to her and she dropped it. She appeared with success in many roles, among them, as the Countess in The Marriage of Figaro, the title role in Félicien David's Lalla-Rookh, as Pamina in The Magic Flute, and as Camille in Hérold's Zampa, but she is best known as Carmen
.
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